"In the Buff"

 

 

6 x 8"

oil on panel

 

 

I broke from my larger painting marathon and loosened up with one of my mom's favorite Picasso pieces - Two Nudes, in the Museum of Modern Art in New York City.

Like my mom, Picasso had a fascination with African sculpture and modeled women's figures similar to the thick bodies and chiseled features found in those sculptures.  Two Nudes hangs next to Picasso's famous Les Demoiselles d'Avignon and noticably the figures on the left of both paintings closely resemble each other.

You may think it never happens, but in 2014, a visitor in MOMA bumped up against the Picasso painting, leaving it unhinged.  No damage done.

 

Please click here to the auction page.  This link will engage at 9 pm ET this evening.

"That Was Then, This is Now"

 

 

12 x 9"

oil on panel

sold

The two young men taking in Pablo Picasso's iconic Guernica presumably cannot begin to comprehend the event depicted on the massive canvas.

Guernica is a town in the North of Spain. The Nationalist forces considered it the hub for the Republican resistance which made it a target during the Spanish Civil War.  In April of 1937, under the direction of Adolf Hitler, planes bombed the town of Guernica meant to intimidate the resistance.  Fires spread from building to building, destroyed roads and bridges and effectively trapped the people from escape.

The Spanish government asked Picasso, who was living in Paris during the German occupation of World War II, to complete a mural expressing the historic and horrific event for the Paris Exhibition in the same year.  He had read a reporter's eyewitness account of the attack, published in The New York Times, abandoning his original idea and creating his final painting based on that very detailed description. It received little interest despite the published eyewitness accounts and the Paris Exhibition, until the painting did a tour around the world.  The international community took great notice and raised funds and awareness for the Spanish war relief.

 

This new painting will be included in the upcoming group show Looking Forward, opening July 2nd at the Robert Lange Studios.

 

Please click here for a larger view.

 

"Facing the Music"

 

 

9 x 12"

oil on panel

sold

When I reproduce masters' works of art, I learn more about color, mixing paints, edging, brush strokes and composition than any class or book could possibly teach me.  My mom swore by it, which is why I spent a large chunk of my early years in museums.

Picasso's work is a whole other thing.  Three Musicians is defined as a Synthetic Cubist style - meaning the compositions are made up of jigsaw-puzzle-like shapes, flat planes and solid colors.  You don't look at it and think 'look at those brush strokes'.  But I look at every shape and try to figure out where it fits, which I probably shouldn't obsess about but that's the jigsaw-puzzle solver in me.

The recurring characters - the masked Pierrot playing the clarinet, the Harlequin strumming a guitar and the singing monk holding sheet music represents the then-popular Italian comic theater that Picasso and his friends were involved in.  

From the Museum of Modern Art in New York City.

Please click here for a larger view.

"Face the Music"

 

 

6 x 8"

oil on panel

sold

 

 

Personally, I have a love/hate for Picasso's art.  I favor most of his Cubist style, top of the list being Guernica and the featured painting Three Musicians.  They are jigsaw-puzzle-like, flat planes of solid colors, overlapping like cutout paper making sense in the end.  

Three Musicians is a complicated composition, so much so, this study may have convinced me to not tackle a larger painting.  Don't know yet.  I find Picasso's painting just plain fun.  You see a recurring figures, a Harlequin and a masked Pierrot - both familiar characters in the old Italian theater stories. You see sheet music on a stand, a clarinet and guitar and even a dog's paws stretched out on the bottom left corner.  

When I paint these reproductions of artworks, there's always a deeper understanding of each piece - a valuable lesson every time.  

From the Museum of Modern Art in New York City.

~ Stay healthy, stay safe and wear your mask.

"Mother Figure"

6 x 8"

oil on panel
sold

Pablo Picasso's Mother and Child in the Art Institute of Chicago does seem to affect many visitors.  It moves them.  It's majestic. It's relatable.  It's a mother holding her child, surrounded by a serene background of sand, water and sky.  It's sweet.

Picasso painted this in 1921, the year his son Paolo was born.  In the following two years, he painted over a dozen works on the subject of mothers and children.  He had painted this theme during his Blue Period, depicting figures that were frail and in despair but this mother and child are noticeably more solid and happy - showing Picasso's general feelings of stability and sentimentality with the birth of his own child.

~ On a personal note, please take good care of yourself during these scary days.  Look out for your friends and family.  Be kind to strangers.  We'll get through this.

"Painted Ladies"

12 x 12"

oil on panel
sold

Another painting for my upcoming solo show The Ladies - featuring the very famous Les Demoiselles d'Avignon by Pablo Picasso.

The painting's original title was Le Bordel d'Avignon or The Brothel of Avignon, depicting five nude prostitutes from a brothel on Avignon Street in Barcelona, Spain, a city where Picasso spent part of his time. The title was changed during an exhibition in 1916, when an art critic referred to its present title in order to hide the shocking subject matter from the public - despite objections from the artist.

Picasso completed the painting ten years prior to the exhibition, inviting fellow artists over to his studio to view it.  There were mixed reactions, notably Matisse hated it, saying it mocked the modern art movement.  Important to mention that a rivalry between Picasso and Matisse had been building for quite some time, so maybe a tinge of jealousy was involved.

Why Les Demoiselles d'Avignon is so significant in 20th Century art is that Picasso painted it on the heels of his African Period and on the cusp of Cubism.  You can see the influence of African masks and abstraction in shapes.  The painting was eventually sold eight years after the exhibition to a private collector who promised Picasso he would donate it to the Louvre when he died - although his will said otherwise.  The Museum of Modern Art in New York City bought the painting in 1937 from the collector's estate for - wait for it - $24,000.

Please click here for a larger view.

"Red Neckwear"

6 x 8"

oil on panel
sold

I have an affection for this Picasso portrait of Pedro Manach.  I especially love the pose and the black outlines of the figure.  

Picasso was a young 20-year-old on his first visit to Paris in 1900 - one of his paintings was exhibited in the World Fair show of Spanish art.  It is then he met the industrialist and art dealer Pedro Manach and it was then he signed his first contract that gave Manach his paintings for two years in exchange for a monthly income.  Not a bad start for a young artist.

Pedro Manach hangs in the National Gallery of Art in DC.

"Waiting Room"

6 x 8"

oil on panel
sold

On the third floor, in the Modern Wing of the Art Institute of Chicago, you'll find the Picassos.  And a bench to rest on.  I happened to know where all the benches are.

The Red Armchair depicts one of the many women in Picasso's life - Marie-Therese Walter was 28 and married when she met the artist and he was smitten with her.  Notice her face is both the frontal view and profile in one shape, a new motif of Picasso's, maybe hinting at the double-life the model was leading, carrying on with the man.

Notably, Picasso used an industrial house paint which he had first used 10 or so years earlier.  The colors are brilliant and almost enamel-like, and here he mixed the paints with oils and produced a wide range of surface textures which you can see up close in The Red Armchair.

"The Picasso"

6 x 6"

oil on panel
sold

In 1963, the great Pablo Picasso was commissioned to create a public art sculpture by the architects of the Richard J. Daley Center in the loop in Chicago.  Picasso completed a maquette, or a small-scale version, featured in my new painting.  The cost of the 50-foot sculpture was $351,959 (equivalent to $2.7 million in present day) - paid for thru foundations and gifted from the artist himself to the city of Chicago.  The maquette resides in the Art Institute of Chicago, also gifted by Picasso.

The Chicago Picasso, known as The Picasso, was dedicated in 1967 by the Mayor Richard Daley ...

... and met with mixed reactions.  The famed journalist Mike Royko ripped it to shreds in his newspaper column, saying "The fact is, it has a long stupid face and looks like some giant insect that is about to eat a smaller, weaker insect.  Its eyes are like the eyes of every slum owner who made a buck off the small and weak.  And of every building inspector who took a wad from a slum owner to make it all possible."  Quintessential Mike Royko.

Mayor Daley responded, at the dedication, saying "We dedicate this celebrated work this morning with the belief that what is strange to us today will be familiar tomorrow."

And it is familiar to anyone who lives in Chicago or has visited - or has watched Ferris Bueller's Day Off or The Blues Brothers.  It's a well-known "meet me at the Picasso" spot, enjoyed by the public with a farmer's market surrounding it in the plaza and many seasonal affairs.  So there Mike Royko.

"Women's Wear"

6 x 8"

oil on panel
sold

I don't like all Picasso's works of art, but I like this one, Seated Woman in Chemise, especially placed on the warm,  red wall in Crystal Bridges Museum of American Art.   The casual, natural feel of the model with the blue background appeals to me.  The painting is currently on loan from the Tate Museum in London.

"Lean In"

9 x 12"

oil on panel
sold

I've been hard at work on this new painting that took a good part of a week to complete.  And that, my friends, is why I frequently veer off and paint small, quicker piecess.  It keeps me sane.

My painting depicts a museum visitor leaning in on Pablo Picasso's iconic 'Guernica'.

Please click here for a larger view.

Speaking of icons,  Bill Cunningham, a fixture in New York City, passed away at the age of 87.  If you don't know, Bill was a legendary fashion photographer for the New York Times for over 40 years.

He was easy to spot, on his bicycle, wearing his signature blue jacket and always with a camera - spotting and capturing fashion trends up and down the sidewalks of NYC.  He inspired me to see the great diversity of humans and having the guts to get out there with my camera.

A really charming and interesting documentary to watch is Bill Cunningham New York  (available on Netflix) - you'll love it.

"A Tradition"

12 x 9"

oil on panel

sold

My homage to one of my all-time favorite movies Ferris Bueller's Day Off, on its 30th anniversary.  At the time it came out in 1986,  I was still missing my life in Chicago as a teenager just a few years back.  There's a scene in the movie when Ferris, his girlfriend Sloane and his best friend Cameron go through the Art Institute of Chicago - something I'd done dozens of times and even cut school to do so.  The three friends stop and stand in front of the three Picassos - here's a snapshot from the movie....

Well since then, many people have mimicked the pose - it became a tradition.  And their visit to an art museum proved to be an inspiration for young people to do the same.  That's a good thing.

I read a good article this week How Ferris Bueller's Day Off Perfectly Illustrates the Power of Art Museums - and a portion of the article, referring to Cameron's fixation on Seurat's A Sunday on La Grande Jatte,  I really like this quote from the curator at the Smithsonian American Art Museum - "I think that absorption of diving into a picture is as though you have seen yourself looking back at you and you have dived in so deeply you cease to exist," she says about life changing art. "What I tell people when they go through art museums is there will be a moment where you are dumbstruck in front of something and it changes your life forever."

About the Picassos - from left to right is The Red Armchair, Portrait of Sylvette David and Femme Assise, 1949, which was sold on auction.

Please click here for a larger view.

"For Your Viewing Pleasure"

6 x 8"

oil on panel
sold

Pardon my absence - I've been working on several paintings for a Small Works Auction taking place in July.  I've got one more to go and I'll post all of them.

This new painting is of a woman viewing Pablo Picasso's Les Demoiselles d'Avignon which hangs in the Museum of Modern Art in New York City.  It's HUGE - 96" x 92", which effectively feels like the women in the painting are life-size and on display for all eyes to see.  

The painting portrays five prostitutes from a brother in Barcelona - it has a distinctive primitive style and is really the beginning of cubism and Modern Art.  First exhibited in 1916, it was quickly deemed as immoral.  Years later, exhibited in a gallery in New York City, MOMA bought the painting for a mere $24,000.

Crazy cheap.

"Figured Out"

6 x 8"

oil on panel
sold

When I posted this new painting last night, I said I wanted to add a bit more interesting facts but I was late for my evening walk with the dogs.  I was in such a rush, I mistakenly wrote Picasso was the artist, which is why my eBay listing says so.  It was Henri Matisse.  Yikes.  That'll teach me.

Anyhoo.... back to 'Bathers By A River'.  It has a prominent spot in The Modern Wing of the Art Institute of Chicago - on a huge wall as you enter the gallery.  The painting is enormous, so much so, most stand way back for a view.  I'm so drawn to this painting, I beeline right to it when I'm at the Tute.

Back in 2007,  the experts at the Art Institute studied this painting in depth, knowing Matisse was known to work on paintings in stages and piecing together separate panels - and knowing The Bathers took over eight years to complete, they went into more of an examination of his technique.

The Bathers and two other paintings were commissioned by a Russian collector, originally planned as three panels to fit in the man's residence - and after seeing a watercolor study, he rejected it.  But Matisse kept working on it during the next eight years, changing colors - really the whole design.  This was evident when the conservators removed the varnish and used infrared technology and X-rays - seeing a completely different palette.  That discovery morphed into an exhibition at the Art Institute of Chicago, then MoMA, titled 'Matisse: Radical Invention, 1913-1917' - which examined more of Matisse's works and techniques.

As for Matisse, it is a fantastic biography of his life and career - I find the most interesting personal tidbit being that his wife Amelie, whom he was married to for 41 years, suspected infidelity and ended the marriage.  The woman he was having the affair with attempted suicide by shooting herself in the chest BUT she survived and returned to a now-single Matisse and was his loyal assistant for the rest of his life.

Around the age of 71, Matisse was diagnosed with abdominal cancer and after surgery that left him bedridden, he was physically unable to paint and he turned to a new medium, creating cut paper collages for another decade and produced some of the most extraordinary works you're probably familiar with.

"War Paint" (study)

6 x 6"

oil on panel
sold

Considered Pablo Picasso's most famous painting, Guernica, was a powerful political statement depicting the horrors and devastation of the Nazi's bombing of the town Guernica during the Spanish Civil War in 1937.   The size of Picasso's painting is 25 1/2' x 11' which effectively awes any viewer.

Picasso was working on a mural at the time of the bombing, commissioned by the Spanish Republican government for the upcoming Paris exhibition but scrapped his original idea and began planning his composition of Guernica.  News of the massacre reached Paris and protests erupted all over the city - newspaper pages covered with stark black & white photographs of the devastation - which inspired Picasso to start working on Guernica in black and white and blue-grey tones.

Picasso finished three months later, delivered to the Spanish Pavilion at the Paris Exposition already in progress.  Initial reaction was overwhelming critical - the German guide described the painting as 'a hodgepodge of body parts that any four-year-old could have painted' and dismissed it as the 'dream of a madman'.  Even Russia, who sided with the Spanish government, criticized it, saying a more-realistic painting would have impacted the social or political future.

After the Paris tour, Guernica made its rounds in Europe and North America raising atttention to the threat of fascism.  During WWII until 1981, it hung in the Museum of Modern Art in New York City, traveling back and forth to other countries - but never Spain.  Picasso refused it go to Spain 'until the country enjoys public liberties and democratic institutions' - which in 1981, after the death of Franco and the movement towards democracy, Guernica was put in its final home, the Reina Sofia in Madrid.