I can't read without glasses and I've always been against wearing them when painting. Aside from squinting the entire time I'm working, the extra blur keeps me loose. But.... recently, there came a point when I caved. Just too much strain I guess. Then, the trick was NOT to get nit-pickyitis and just focus on the strokes. Not the details. I'm getting used to it day by day.
My warm-up this morning, an addition to my ongoing series BUST-ED.
This new painting includes Rene Magritte's 'Time Transfixed' - which hangs in the Modern Wing of the Art Institute of Chicago and is so perfectly placed between two floor-to-ceiling windows where you can look out onto Millennium Park. An evening visit to the museum has such an elegant feel, especially in the Modern Wing. If you haven't been lately, go.
You may know I'm holding a workshop in San Francisco this spring the week of April 9th - 13th, at the San Francisco Friends School. As of today, I've got 4 openings left, if you're interested, please contact Vince Fazio, the arts director at the Sedona Arts Center asap. His phone number is on the right hand column - if you want to read more about the workshop, click here. I'd love to have you join me.
Never fails, when I start painting a cityscape like this, I question my sanity. The trick is to remember when you're standing there, on a high-floor balcony, looking out at this scene, everything is somewhat of a blur, a series of little blips, daubs of color and light. I look at my photograph and proceed to squint for several hours, hoping it all makes sense in the end. I'm pretty happy and honestly surprised that it turned out as I imagined.
This lofty view was compliments of one of my workshop students who had an evening get-together at her home. Basically you're looking at the East River, Hellgate Park and the Triborough Bridge - just an outstanding spot to see the city in a whole different way.
Ya know...... since I'm warming up with mugshots, I'm going to continue my ongoing series BUST-ED and get another 100 done by the end of the year. And I'm going to offer them on auction, twice a week, starting at $49. It's a great way to keep loose and I enjoy painting them in between other work.
When I got back to painting a couple of days ago, I realized I was suffering from nitpickyitis - a result of taking some time off. So I warmed up with several mugshots until I loosened up again. My goal is to complete my series ATL to NYC & Back, continuing on with my walk up 5th Avenue, on the Upper East Side where I spotted an adorable, old Golden Lab loyally waiting at the front door of a townhouse.
"It's what you carry to an object that counts." - Andrew Wyeth
BUST-ED - 100+ Faces Painted from Mugshots
Zac & Joey's Blog
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