Thursday, February 21, 2019

"Red Neckwear"

6 x 8"
oil on panel

I have an affection for this Picasso portrait of Pedro Manach.  I especially love the pose and the black outlines of the figure.  

Picasso was a young 20-year-old on his first visit to Paris in 1900 - one of his paintings was exhibited in the World Fair show of Spanish art.  It is then he met the industrialist and art dealer Pedro Manach and it was then he signed his first contract that gave Manach his paintings for two years in exchange for a monthly income.  Not a bad start for a young artist.

Pedro Manach hangs in the National Gallery of Art in DC.

Please click here to the auction page.  Auction ends March 3rd, 9 pm ET.

Tuesday, February 12, 2019

"Performance Art"

8 x 10"
oil on panel

A woman admiring Mary Cassatt's The Loge with Edgar Degas' Before the Ballet beside her.  Both are hung in the National Gallery of Art in DC.

Please click here for a larger view.

Monday, February 11, 2019

"Join the Party"

6 x 8"
oil on panel
on hold

I was enamored with At the Moulin Rouge from the first time I saw it at the Art Institute of Chicago. It was that haunting face on the far right, as if she was looking at me through a window seemingly inviting me in to join the party.  

Henri de Toulouse-Lautrec painted Paris' nightlife like no other.  Caricatures who he knew well, like Jane Avril in the center with the flaming-red hair or the dancer May Milton who stares at you with her painted face.  The painting is two joined canvases, said to have been severed by Lautrec's dealer after his death - hoping the separate canvases were more saleable.  The entire composition was eventually restored.

Monday, February 4, 2019

"Waiting Room"

6 x 8"
oil on panel

On the third floor, in the Modern Wing of the Art Institute of Chicago, you'll find the Picassos.  And a bench to rest on.  I happened to know where all the benches are.

The Red Armchair depicts one of the many women in Picasso's life - Marie-Therese Walter was 28 and married when she met the artist and he was smitten with her.  Notice her face is both the frontal view and profile in one shape, a new motif of Picasso's, maybe hinting at the double-life the model was leading, carrying on with the man.

Notably, Picasso used an industrial house paint which he had first used 10 or so years earlier.  The colors are brilliant and almost enamel-like, and here he mixed the paints with oils and produced a wide range of surface textures which you can see up close in The Red Armchair.