Tuesday, September 25, 2018

"Tell Me More"

8 x 6"
oil on panel
sold


This was taken from my time at the Crystal Bridges Museum of American Art, during a special exhibition of Georgia O'Keeffe's works as well as others.  The show was so well thought out and presented for the visitors, paying close attention to what works married well with each other and the colors of the walls surrounding the pieces.  I relished that.

One of the paintings included was O'Keeffe's Petunias, done in 1925.  When you think of Georgia O'Keeffe, you equate her with Southwestern subject matters, some Manhattan scenes, and mostly close-ups of flowers.  She was widely known to have lived in New York City when her career was taking off and promoted by her husband Alfred Stieglitz - then later in New Mexico.  You might not know, during the early years, her and Steiglitz spent their summers at the resort of Lake George, about 35 miles from the Vermont border.

During those years, from 1918 to 1934, at Lake George, O'Keeffe painted over 225 pieces.  The time and surroundings at Lake George played a significant role in her development as an artist.  There she painted many of the flowers you may be familiar with - poppies, petunias and canna lilies - poplar and oak trees - the brilliant autumn colors of nature - all those she became so sensitive to from long walks through meadows and gardens.

Stieglitz and O'Keeffe owned 37 acres, lived in a hilltop farmhouse that included a 'shanty' as her studio and a darkroom where Steiglitz printed his photos.  In the late 50's a developer bought the property, has the structures burned in a practice fire drill and built a hodgepodge of ranch houses that remain to this day.  

People still go on their pilgrimages to find where O'Keeffe lived, only to be disappointed to find a suburban subdivision.


Friday, September 21, 2018

"Too Loose?"

8 x 10"
oil on panel


Stand close to a painting by Henri de Toulouse-Lautrec because there is much to see besides the general color scheme or composition.  You are probably familiar with this artist, his deformities, his alcoholism and his short stature but picture this man lost in a crowded bar, observing everything and everybody at the same time painting his masterpieces.

So... instead of a brief summary of things you already know about Toulouse-Lautrec, I'll give you a little background on the painting to the right of the museum patron - A Corner of the Moulin de la Galette, which was a popular location and subject matter for other artists in Paris like Pissaro, van Gogh and Renoir.

At a high point in the Montmartre district of Paris, one, of 12 windmills around the city, was built in 1622 - milling flour, specifically for a brown bread called galette.  The Moulin de la Galette is one of two remaining windmills, saved from destruction in 1915 and later moved to the corner.




The original owner of the mill was killed during the Franco-Prussian War and his surviving son turned the mill into a guinguette, a restaurant, that quickly became THE place to take a family on holidays and Sundays to enjoy the brown bread and a glass of milk from the local dairy.  In the mid 1800's, they replaced milk with locally made wine, bought an adjacent property and added an open-air dance hall and the windmill became a cabaret that was wildly popular with the locals, artists, writers, actors and tourists.  The photo above shows the present-day restaurant still named Moulin de la Galette with the restored original windmill built in 1622.  Amazing.

Please click here for a larger view and purchase/contact information.






Friday, September 14, 2018

"Aspirations"

6 x 8"
oil on panel
sold


One thing I love in museums is witnessing people really connecting with art, like this young man who sat directly in front of this inspiring 1944 portrait of William A."Bill" Campbell by Betsy Graves Reyneau in the National Portrait Gallery in Washington DC.

William Campbell served as one of the famed Tuskegee Airmen during WWII.  The Portrait Gallery's plaque reads:

"A decorated fighter pilot who served in World War II, Korea, and Vietnam, William A. "Bill" Campbell joined the military in 1942, when all branches of the U.S. armed forces were rigidly segregated. Shortly after America's entry into World War II, Campbell enrolled in flight training at special facilities established for African American pilots and technicians at Alabama's Tuskegee Institute (now Tuskegee University). Earning his wings in July 1942, Second Lieutenant Campbell was assigned to the U.S. Army Air Corps's Ninety-Ninth Pursuit Squadron. On June 2, 1943, he saw action as a wingman on the inaugural combat mission carried out by the Tuskegee Airmen. The first African American pilot to bomb an enemy target, Campbell flew 106 missions and ended the war as commander of the Ninety-Ninth Fighter Squadron. Awarded two Distinguished Flying Crosses, a Bronze Star, the Legion of Merit, and thirteen Air Medals, he retired from the service as a full colonel in 1970."

It is one of my personal favorites in the National Portrait Gallery.




Wednesday, September 12, 2018

A Personal Thing



My painting of a dearly departed best friend of a friend. 


Sunday, September 9, 2018

"There's The Door"

6 x 8"
oil on panel
sold


I just returned from my second visit to Crystal Bridges Museum of American Art.  I love the museum.  It's located in Bentonville, Arkansas - in the northwest corner of the state.  It's a small town, home of the Walton family who started Walmart years ago.  Alice Walton has been an art collector for decades and built this museum and is currently building a second one in town.  It's free admission and free parking.  It's so worth the trip.

I landed there on the final weekend of their exhibition The Beyond: O'Keeffe and Others.  Spectacular variety of many O'Keeffe's landscapes, flowers, etc mixed with other contemporary artists.  The painting above is one of my personal favorites - Black Patio Door.  It was hanging on this saturated turquoise wall that was so unexpected but so freakin' perfect.

O'Keeffe, in 1945, purchased and restored a 5,000 square foot ruined Spanish Colonial home in a small town, Abiquiu, New Mexico, which she owned until her death in 1986. She was in love with the simple beauty of the adobe house and its spaces and vistas inspired many paintings done through the years - especially the large enclosed patio.  She was quoted "When I first saw the Abiquiu house it was a ruin with an adobe wall around the garden broken in a couple of places by falling trees.  As I climbed and walked about the ruin I found a patio with a very pretty well house and bucket to draw up water. It was a good-sized patio with a long wall with a door on one side. The wall with a door in it was something I had to have."