Saturday, November 17, 2018

"Good Morning"

9 x 12"
oil on panel


The very same day I was finishing this new painting, the news came that the Edward Hopper painting Chop Suey had sold at the Christie's auction for $91.9 million.  That made me so happy seeming I worship Edward Hopper's works of art and I especially love this recognition of one of our country's treasures.  Yay.

Whenever I'm in the Smithsonian American Art Museum, I beeline to the Hopper paintings.  The one featured in my painting is Cape Cod Morning, done in 1950.  What grabs me about this piece is, within the bay window where the woman is looking out in anticipation of something, it's a whole separate painting within the actual, fairly simplistic composition of the sky, trees, grass and siding of the house.  I just love it.

Please click here for a larger view and purchase/contact information.


Saturday, November 10, 2018

"Blue Heaven"

12 x 12"
oil on panel


My new painting Blue Heaven will be included in a group show titled All The Blues held at the Vendue Hotel in Charleston SC - opening to the public on November 15th.  The show features work from 24 artists, all using ranges of blue as the predominant color.  My painting features The Flying Fish, by the Russian-French artist, Marc Chagall.

Chagall once said "In our life there is a single colour, as on an artist's palette, which provides the meaning of life and art. It is the color of love."  Chagall is known for his dream-like scenes, filled with memories of his childhood in Russia and symbols of his Jewish faith.  In The Flying Fish, the newly-married couple represents love and passion, as do the red roses that surround them - the rooster was commonly known as a symbol of fidelity though it could be a memory of Chagall's early life in the village of Vitebsk - the upside-down house represents imbalance or doubt - the floating fish holding three candles references the Jewish religion and said to be a tribute to his father.  

It is impossible not to love Chagall's distinct style and thoughtful compositions.  This painting hangs in the Albright-Knox Art Gallery in Buffalo, New York.

Please click here for a larger view and purchase/contact information.

~ View all the artworks included in All The Blues show here.


Tuesday, November 6, 2018

"Checks and Balances"

5 x 7"
oil on panel
sold


Our United States Capitol Building in Washington DC.  A place where, hopefully, checks and balances will occur again.





Monday, November 5, 2018

Vote!


A REMINDER TO VOTE TOMORROW.

"Undecided"
Norman Rockwell - November 4, 1944




Thursday, November 1, 2018

"Iron Fist"

8 x 6"
oil on panel
sold


I started this painting on Halloween evening, right before I went inside the house and watched The Pit and the Pendulum with Vincent Price.  I savored the day.

I first saw Blind Pew, by N. C. Wyeth, in the Brandywine Museum of Art, which houses three generations of Wyeth artists - N. C. the father, Andrew, the son of N. C. and Jamie, the son of Andrew.  I worship all three.  I grew up nearby Chadds Ford, Pennsylvania and my mom always welcomed a road trip to this area, she made countless pen and ink sketches of the old stone buildings and countryside.  It was an artist's haven and inspiration.  I'm sure that was around the time I knew I wanted to be an illustrator like N. C. Wyeth.

The blind beggar, Pew, is a minor character in Chapter 3 of Treasure Island by Robert Louis Stevenson.  Pew knows Billy Bones is a boarder at the Admiral Benbow Inn and wants the map to Treasure Island.  Pew was a member of Captain Flint's crew of pirates and had since squandered away his share of pilfered riches, leaving him to beg and thieve.

Pew knocks on the door, terrifying the keeper of the inn, asking to see Billy Bones.  Pew takes the man's arm as they climb the stairs, Jim realizing the old man has a strong grip. An "iron fist".  Pew delivers a warning to a passed out Billy Bones.  Later on in the book, Pew returns to the inn with a group of buccaneers to ransack the inn and find the map to the treasures, but it is nowhere to be found.  A fight ensues, they take it outside in the moonlit road.  And the tale goes on.

Blind Pew is one of many illustrations in the Brandywine.  They're surprisingly huge works of art and treasures.




Wednesday, October 31, 2018

"The Long Game"

9 x 12"
oil on panel


My new painting features a couple viewing two glamorous portraits in the Metropolitan Museum of Art in New York City.  

On the right, quite possibly, is the most perfect painting John Singer Sargent ever produced (my humble opinion of course).  Mrs. Hammersley was the wife of a banker and known fashionista elegantly posed on a French sofa with her stunning, red silk-velvet dress taking your eyes down to the bottom left corner.  The edges of the fabric shimmer in lavender and rich reds.  Her netted, sparking collar is the sweet spot - tiny daubs of gold and white dance over it, making you want to touch it.  Mrs. Hammersley was included in an exhibit in London in 1893, ten years after Sargent's scandalous Madame X nearly ruined his reputation as a portrait painter.  Mrs. Hammersley received raving reviews and essentially restored the artist's career as a painter of the wealthy.  After Mrs. Hammersley's death, her husband kept the portrait until he was forced to sell it because of financial difficulties - a common ending to the many once-wealthy clients of Sargent.

On the couple's left is Mr. and Mrs. Anson Phelps Stokes by Cecilia Beaux, also an American painter.  The couple was painted in an unconventional way with the wife more prominent in the foreground and her husband behind her.  Anson Stokes was an extremely wealthy man - a merchant, real estate developer, a banker, a silver mining tycoon, a warship designer and avid yachtsman (he owned 4 yachts), and a house on Madison Avenue in New York City. The couple left the city and moved to Staten Island when (gasp!) non-millionaires moved in.  His wife, Helen Louisa Phelps, yes Phelps, were both related, descendants from George Phelps, who came to America in the early 1600's.  They had nine children, the oldest wrote for the New York Times and died in 1970.  

When Anson died in 1913, it was reported he was worth around $620 million dollars.  After his estate was settled, it was determined he was actually worth about $19 million.

Please click here for a larger view and purchase/contact information.

~ Happy Halloween

 


Tuesday, October 30, 2018

"Christina"

8 x 6"
oil on panel
sold


Today I just chose to feature one of my personal favorite paintings, by Andrew Wyeth, Christina's World.  It is moving. It represents human dignity.  In a word, it is perfect.


Saturday, October 20, 2018

"Posturing"

6 x 8"
oil on panel
sold


I've been to the Crystal Bridges Museum of American Art twice.  Both times, I stop at this portrait of Anne Page, by Dennis Miller Bunker, and soak it in longer than most paintings at the museum.  It's restrained, low in key, fairly neutral in color - no frills, just elegant.

Dennis Bunker is an artist you don't hear too much about.  He was born in New York City in 1861, an innovator of American Impressionism, hung out with some of the most famous painters of that time - John Singer Sargent, Wilmer Dewing, William Merritt Chase to name a few.  His circle of friends was crucial as an artist but none as beneficial as Isabella Stewart Gardner, a valuable patron of artists.  There is the Isabella Stewart Gardner Museum in Boston, established in 1903, which owns some of the most outstanding works of art in this country.

A friend of Bunker's set up a date with Anne Page and the artist, thinking they'd make a good couple.  Bunker was smitten from the first encounter, wrote to his friend "She seems to have the same charm that some of your other friends have. I mean your female friends. I am quite at a loss when I try to define it and I begin to think it a bit out of my line. I don’t know that I am entirely comfortable in the presence of such natures, they seem too fine for me.”  

Bunker wrote Anne poems and long letters and eventually had her sit for the portrait you see above.  Although the two never formed a romantic relationship, they remained friends throughout his short life.  Bunker fell ill, just two months after he married, and died of meningitis at the age of 29.



Saturday, October 13, 2018

"Dawning On"

9 x 12"
oil on panel


The Song of the Lark by Jules Breton is near and dear to many who have seen it in person at the Art Institute of Chicago.  It's also one of those paintings that speaks to nearly everyone, in some way.

Breton was a French realist artist during the second half of the 1800's, known for painting classic scenes of what was familiar to him - the French countryside, the workers in the fields, rural life and some pretty cool religious festivals added in the mix.  Breton found greater success in the mass production of prints of his paintings, along with other French artists of the time. The subject matter was wildly popular in his native country as well as England and the United States.  

The Song of the Lark stands out as a symbol of life's challenges for many.  The pheasant girl, with the sun rising behind her, dirty clothes, bare feet - her shoulders back with her chin up, determined to face whatever lies ahead.  It says life ain't easy but it's worth living.

Please click here for a larger view and purchase/contact information.


Saturday, October 6, 2018

"Boo"

6 x 6"
oil on panel
sold


On this soul-sucking day,  I thought of one of my favorite paintings Automaton by Jamie Wyeth.  The definition of automaton is an android or robot, but also refers to a person who seems to act in a mechanical, unemotional way.

The Wyeth family celebrated Halloween with great enthusiasm every fall.  Beginning with the patriarch, N.C. Wyeth who had a large stash of costumes with swords and pirate hats and spooky masks for his illustrations - and his children relished the chance to dress up and pretend they were the buccaneers or ghouls taking over the family farm.  I wrote up a post about the Wyeth's love of Halloween here, back in October 2015.



Thursday, October 4, 2018

"Day Labor"

8 x 10"
oil on panel
sold


The painting featured here, The Cotton Pickers, being viewed by a woman in the Crystal Bridges Museum of American Art, is a historically important one painted by Winslow Homer in 1876 - a time in American when the Civil War had ended a decade earlier and the period of Reconstruction was nearly at an end.  Reconstruction attempted to end the Confederate nationalism and end slavery and give newly-freed slaves their civil rights and equality guaranteed by three new Constitutional amendments.

Winslow Homer was born in Boston in 1836, and at the age of 19 he apprenticed at a newspaper, then as a freelance illustrator and lithographer for nearly twenty years - tapping into a hot art market for urban and country social scenes (think Currier & Ives).  

In 1861, Harper's Weekly hired Homer to illustrate Lincoln's first inaugural address then stayed on with the magazine, as a battlefield artist, when the Civil War began a year later.  In 1874, Homer returned to Virginia, where he had spent time during the final siege of the war, and took a new direction in his subject matter, wanting to portray the lives of rural, black Americans - mindfully in contrast to the caricatured portraits he and other war correspondents took part in.  

That's where the importance of The Cotton Pickers came in - painting blacks in more heroic terms. Not the denigrating ways of the past. European artists nailed this representing their nation's peasants and field workers and Homer brought the same respect to our nation's black population. The two women stand in a cotton field, still laboring as they did before the Civil War, aspiring for a better life despite the Jim Crow laws preventing them from true equality. It's a very poignant and profound painting.

Please click here for a larger view.


Tuesday, September 25, 2018

"Tell Me More"

8 x 6"
oil on panel
sold


This was taken from my time at the Crystal Bridges Museum of American Art, during a special exhibition of Georgia O'Keeffe's works as well as others.  The show was so well thought out and presented for the visitors, paying close attention to what works married well with each other and the colors of the walls surrounding the pieces.  I relished that.

One of the paintings included was O'Keeffe's Petunias, done in 1925.  When you think of Georgia O'Keeffe, you equate her with Southwestern subject matters, some Manhattan scenes, and mostly close-ups of flowers.  She was widely known to have lived in New York City when her career was taking off and promoted by her husband Alfred Stieglitz - then later in New Mexico.  You might not know, during the early years, her and Steiglitz spent their summers at the resort of Lake George, about 35 miles from the Vermont border.

During those years, from 1918 to 1934, at Lake George, O'Keeffe painted over 225 pieces.  The time and surroundings at Lake George played a significant role in her development as an artist.  There she painted many of the flowers you may be familiar with - poppies, petunias and canna lilies - poplar and oak trees - the brilliant autumn colors of nature - all those she became so sensitive to from long walks through meadows and gardens.

Stieglitz and O'Keeffe owned 37 acres, lived in a hilltop farmhouse that included a 'shanty' as her studio and a darkroom where Steiglitz printed his photos.  In the late 50's a developer bought the property, has the structures burned in a practice fire drill and built a hodgepodge of ranch houses that remain to this day.  

People still go on their pilgrimages to find where O'Keeffe lived, only to be disappointed to find a suburban subdivision.


Friday, September 21, 2018

"Too Loose?"

8 x 10"
oil on panel


Stand close to a painting by Henri de Toulouse-Lautrec because there is much to see besides the general color scheme or composition.  You are probably familiar with this artist, his deformities, his alcoholism and his short stature but picture this man lost in a crowded bar, observing everything and everybody at the same time painting his masterpieces.

So... instead of a brief summary of things you already know about Toulouse-Lautrec, I'll give you a little background on the painting to the right of the museum patron - A Corner of the Moulin de la Galette, which was a popular location and subject matter for other artists in Paris like Pissaro, van Gogh and Renoir.

At a high point in the Montmartre district of Paris, one, of 12 windmills around the city, was built in 1622 - milling flour, specifically for a brown bread called galette.  The Moulin de la Galette is one of two remaining windmills, saved from destruction in 1915 and later moved to the corner.




The original owner of the mill was killed during the Franco-Prussian War and his surviving son turned the mill into a guinguette, a restaurant, that quickly became THE place to take a family on holidays and Sundays to enjoy the brown bread and a glass of milk from the local dairy.  In the mid 1800's, they replaced milk with locally made wine, bought an adjacent property and added an open-air dance hall and the windmill became a cabaret that was wildly popular with the locals, artists, writers, actors and tourists.  The photo above shows the present-day restaurant still named Moulin de la Galette with the restored original windmill built in 1622.  Amazing.

Please click here for a larger view and purchase/contact information.






Friday, September 14, 2018

"Aspirations"

6 x 8"
oil on panel
sold


One thing I love in museums is witnessing people really connecting with art, like this young man who sat directly in front of this inspiring 1944 portrait of William A."Bill" Campbell by Betsy Graves Reyneau in the National Portrait Gallery in Washington DC.

William Campbell served as one of the famed Tuskegee Airmen during WWII.  The Portrait Gallery's plaque reads:

"A decorated fighter pilot who served in World War II, Korea, and Vietnam, William A. "Bill" Campbell joined the military in 1942, when all branches of the U.S. armed forces were rigidly segregated. Shortly after America's entry into World War II, Campbell enrolled in flight training at special facilities established for African American pilots and technicians at Alabama's Tuskegee Institute (now Tuskegee University). Earning his wings in July 1942, Second Lieutenant Campbell was assigned to the U.S. Army Air Corps's Ninety-Ninth Pursuit Squadron. On June 2, 1943, he saw action as a wingman on the inaugural combat mission carried out by the Tuskegee Airmen. The first African American pilot to bomb an enemy target, Campbell flew 106 missions and ended the war as commander of the Ninety-Ninth Fighter Squadron. Awarded two Distinguished Flying Crosses, a Bronze Star, the Legion of Merit, and thirteen Air Medals, he retired from the service as a full colonel in 1970."

It is one of my personal favorites in the National Portrait Gallery.




Wednesday, September 12, 2018

A Personal Thing



My painting of a dearly departed best friend of a friend. 


Sunday, September 9, 2018

"There's The Door"

6 x 8"
oil on panel
sold


I just returned from my second visit to Crystal Bridges Museum of American Art.  I love the museum.  It's located in Bentonville, Arkansas - in the northwest corner of the state.  It's a small town, home of the Walton family who started Walmart years ago.  Alice Walton has been an art collector for decades and built this museum and is currently building a second one in town.  It's free admission and free parking.  It's so worth the trip.

I landed there on the final weekend of their exhibition The Beyond: O'Keeffe and Others.  Spectacular variety of many O'Keeffe's landscapes, flowers, etc mixed with other contemporary artists.  The painting above is one of my personal favorites - Black Patio Door.  It was hanging on this saturated turquoise wall that was so unexpected but so freakin' perfect.

O'Keeffe, in 1945, purchased and restored a 5,000 square foot ruined Spanish Colonial home in a small town, Abiquiu, New Mexico, which she owned until her death in 1986. She was in love with the simple beauty of the adobe house and its spaces and vistas inspired many paintings done through the years - especially the large enclosed patio.  She was quoted "When I first saw the Abiquiu house it was a ruin with an adobe wall around the garden broken in a couple of places by falling trees.  As I climbed and walked about the ruin I found a patio with a very pretty well house and bucket to draw up water. It was a good-sized patio with a long wall with a door on one side. The wall with a door in it was something I had to have."




Wednesday, August 29, 2018

"A Cornucopia of Color"

12 x 9"
oil on panel


If I start by saying the artist, Thomas Hart Benton, has long been a personal favorite of mine, you think 'yah, yah, sure, sure. Who isn't a favorite artist of hers?'  But when I was 15 years old, I painted a long mural in the theme of American history, in a high school I attended in Warminster, Pennsylvania and based the entire painting in the style of Thomas Hart Benton.  The mural was, to the best of my memory, about 30 feet wide.  Benton's painting Achelous and Hercules featured in my new piece is over 22 feet wide by 5 feet high.  It's magnificent.

Taken from the Smithsonian Museum of American Art's description says it best "Intense colors and writhing forms evoke the contest of muscle and will between Hercules and Achelous, the Greek god who ruled over the rivers. In flood season, Achelous took on the form of an angry bull, tearing new channels through the earth with his horns. Hercules defeated him by tearing off one horn, which became nature's cornucopia, or horn of plenty. Thomas Hart Benton saw the legend as a parable of his beloved Midwest. The Army Corps of Engineers had begun efforts to control the Missouri River, and Benton imagined a future when the waterway was tamed, and the earth swelled with robust harvests.
Benton's mythic scene also touched on the most compelling events of the late 1940s. America's agricultural treasure was airlifted to Europe through the Marshall Plan as part of Truman's strategy to rebuild Europe and contain communism. Benton may have been thinking of his fellow Missourian's legendary stubbornness when he described Hercules as "tough and strong" with "a reputation for doing what he thought was right."

Please click here for a larger view and purchase/contact information.




Wednesday, August 22, 2018

"Between The Two"

10 x 10"
oil on panel
sold


The National Gallery of Art in DC devoted a pass-through room to the Italian-Jewish artist, Amedeo Modigliani's paintings - a personal favorite of mine.  My mom, who was an artist,  l-o-v-e-d Modigliani.  She once carved a chunk of wood into a face emulating his oval, elongated shape that is one of my priceless possessions.

Modigliani was born in Italy in 1884, the son of Jewish parents who raised four children in poverty.  Amedeo was a sickly child, taught at home by his mother, exposed to literature, philosophy and art.  He was sent to study classical painting by a local master who often referred to him as 'Superman'. Throughout his young life, Amedeo dealt with severe bouts of tuberculosis, and when he recuperated he picked back up with intense studies of painting in Italy and Paris. He soon rejected the more traditional styles and persevered his own unique, bold artistic flair.

Amedeo was in his early 30's when WWI broke out.  Despite his poor health and continued drug abuse during that time, he produced much of his finest work including sculptures, which he devoted nearly five years to exclusively.  His only solo exhibition occurred in 1917, including over 30 female nudes which was well received by the gallery but not by the local police, who shut it down for 'indecency' on the day that it opened.

Modigliani's passion for art was short-lived and he died of tuberculosis meningitis at the age of 35, in Paris, France.  He is another example of a genius artist who had little success while alive but achieved great popularity after his death.

Please click here for a larger view.


Saturday, August 18, 2018

Meanwhile.....


I've been working on several paintings for a client.  They are officially sold but I wanted to show them to you.


8 x 10"
sold


9 x 12"
sold


12 x 16"
sold

Always painting.....



Saturday, August 11, 2018

"Forty-Eight"

8 x 10"
oil on panel
sold


Jasper Johns was one of the most influential American painters of the 20th century who produced over 40 versions of the American flag.  Johns created the first, Flag, in 1954 at the age of 24, two years after he was discharged from the Army.  

To give you some context, the US flag was often the news headline in 1954 - then President Dwight Eisenhower signed an amendment to the pledge of allegiance on Flag Day to add the words 'under God',  the McCarthy hearings took place three days after Flag Day, the year was the 175th anniversary of the birthday of Francis Scott Key,  who composed The Star Spangled Banner.  The Iowa Jima Marine Memorial was dedicated at Arlington National Cemetery.  Johns and his father were both named after Sgt. William Jasper who saved the fallen flag of the Americans in the Revolutionary War.  And in 1954, our country had 48 states - the 49th and 50th, Alaska and Hawaii, would join the United States of America in 1959.

To appreciate Johns' Flag, you must get close up.  It is made using oil paints, encaustic (wax mixed with pigment) and newsprint, which is visible under the red and white stripes.  There is no hidden meaning in the texts of the newsprint, purposely Johns selected non-political or national news.  Jasper Johns aimed to paint 'things the mind already knows', relieving him of creating new design and focusing on the execution instead. 

The painting was exhibited in Johns' first solo show in 1958 where the director of the Museum of Modern Art, Alfred Barr, wanted to buy it but was worried how it may look so he persuaded a friend to buy it instead, and he donated it to the museum in honor of Barr when he retired.

Please click here for a larger view.




Monday, August 6, 2018

"Enigma"

6 x 8"
oil on panel
sold


I'm home from a road trip up to Virginia to visit with family and got to visit the National Portrait Gallery in DC while we were there.  This museum, connected to the Smithsonian Museum of American Art is somewhat overlooked by visitors because it's not on the Mall with numerous other great museums, but it is SO worth it.

Credit to my sister-in-law, who took the photo for this new painting - a young man viewing an abstract expressionism painting by Jean-Michel Basquiat, which I can't find the title to.

Jean-Michel Basquiat was a young, prolific artist who created most of his work during the 80's.  Born in Brooklyn, New York in 1960, he was a talented artist at a young age, encouraged by his mother, fluent in French, Spanish and English.  His parents separated when he was eight, returned to his mother's home in Puerto Rico for a couple of years then returned to New York City.  He was 13 when his mother was committed to a mental institution and Jean-Michel's troubled teen years began.  When he dropped out of high school, his father banished him from the family's home and he stayed with friends, supporting himself by selling artwork and T-shirts.

Basquiat went from homelessness and unemployement to selling his paintings for up to $25,000 in a matter of several years.  He produced around 600 paintings, 1500 drawings and sculptures in his short life and died at the age of 27 from a heroin overdose.

To summarize Basquiat's life, his experiences, the magic of pure fate that shaped his future, would take up an entire book.  I think he was a genius way before his time, but he lived in the right time for his artistic talents to be seen and heard.  He once described his art as 80% anger and to be described from then on by critics as "80% anger and 20% mystery".

Just one more plug for if you're in Washington DC - go to the National Portrait Gallery.  The museum redid the President's portraits gallery and it's most excellent.  Especially the portrait of President Obama, by Kehinde Wiley.  It brought tears to my eyes.


The long line to see Obama's portrait up close.




Thursday, July 19, 2018

"Larger Than Life"

9 x 12"
oil on panel


Andy Warhol created many versions of the Chinese leader Mao Tse-Tung, from small to enormous.  In the Art Institute of Chicago, his Mao, 1972, which measures nearly 12 feet wide by 15 feet tall, can't be missed.  

To understand why Warhol painted Chairman Mao is to know the artist and his fascination with celebrity and fame.  He created silk-screens of Marilyn Monroe, Jackie Kennedy and Elvis to name a few. He contemplated what it meant to be famous and what it could possibly be worth to the world.

Warhol had read in Life magazine that Mao was the most famous person in the world and the forced ubiquity of the Chinese leader's image throughout his country inspired Warhol - also considering his image would lend itself to silk-screen.

Mao is said to be Warhol's first political portrait, even though he never openly stated his political views.  His widely known works had a focus on condemning the relentless consumerism of an American capitalism and the advertising giants who hammer these images into our brains - think Campbell soup cans, Coca-Cola, etc. - and his Mao portraits virtually said the same thing.  Controlled propaganda selling Communism in China. 

Please click here for a larger view and purchase/contact information.




Friday, July 13, 2018

"The Naked Eye"

6 x 8"
oil on panel
sold


My oh my, I'm glad to be back to painting a few small pieces.  I've been working on several projects for future group shows which you'll see down the road.

Okay... about this new painting....

Thomas Eakins is best known for his paintings of athletic rowers on the Schuylkill River in Philadelphia and his extraordinary painting The Gross Clinic.  He taught at the Pennsylvania Academy and those paintings brought him fame and transformed the school into the leading art school in America.

Eakins found the study of anatomy to be essential in his teachings, however, it was frowned upon by the academy and Victorian Philadelphia in the 1880's.  After treading on ice, during one of his live model classes, he removed a loincloth from a male model to show the trace of a vital muscle and all hell broke loose.  Protests by students and parents forced Eakins to resign at the request of the Academy's board.

The Model by Thomas Eakins is part of the collection in the Crystal Bridges Museum of American Art in Bentonville, Arkansas.  Get to this museum if you can.  It's so worth the trip.


Sunday, June 24, 2018

"Matchy-Matchy"

9 x 12"
oil on panel


A woman viewing one of my personal-favorite paintings in the Art Institute of Chicago - Portrait of Juanita Obrador by Joan Miro.

Please click here for a larger view and purchase/contact information.


Wednesday, June 13, 2018

"Baby Announcement"

8 x 10"
oil on panel
sold


The two paintings featured, The Annunciation by Gerard David, were part of a multi-storied polyptych (typically an altarpiece consisting of more than three panels) commissioned in the early 1500's by a wealthy Italian banker and diplomat - for the high altar of the Benedictine abbey church of San Gerolamo della Cervara. 

Gerard David was a Netherlandish painter and manuscript illuminator, born around 1460 in Bruges, where he became the leading painter around the age of 34 and was known as one of the town's leading citizens.  He became dean of an artist guild, taught for years and around 1519 he and one of his students got into a dispute over a number of paintings and drawings the student has collected from other artists.  David was owed a large debt by this man, took hold of those works of art, only to be sued, ordered to return the artworks and served time in prison.

The two panels The Annunciation hang in the Metropolitan Museum of Art in New York City.

Please click here for a larger view.