"A Rainy Night in Chicago"

5 x 7"

oil on panel
sold

This was a tough one.

I started out wanting to keep it very impressionistic and loose, then I started painting in each window like a nutball - took a break for dinner - came back to it and forced myself to paint the remainder with a wide brush.  I'm kinda amazed I finished it, and just the way I pictured it in my head in the beginning.  Yay.

This view is from a high floor in the Fairmont Hotel on North Columbus Drive - on a very rainy night in the city.  You can make out the Sheraton Towers on the right with its glowing tower.

"That Toddling Town"

6 x 6"

oil on panel
sold

I have a great feeling of achievement when I can complete a cityscape like this.  I hold my breath a lot when I tackle the buildings and the traffic.  You can hear me chant 'just keep swimming, just keep swimming' the whole time.

"Hill Country"

6 x 12"
oil on masonite
sold

These days, I'm able to spend more time experimenting with my paints - which doesn't always mean I have something to show you. In fact, I've been juggling a couple of paintings for days and they're still in limbo. If I begin a piece with the finished painting in my head, most likely, I won't stop until it's done. Lately, I'm sorta leaving it up to fate, or luck, to see if my right hand will lead the way to something unexpected. It's like abandoning the recipe and grabbing what you have in the pantry - sometimes it works, sometimes it's awful. I encourage that every now and then. You never know what you'll learn.

I did start with a plan this morning - the current challenge I assigned on my Different Strokes From Different Folks blog - and I honestly thought I wouldn't be able to get what was in my head. But I did. Today flowed. Yay.

From the hilly city of San Francisco, a view of Lombard Street.

Please click here for a larger view.

"Seattle Glow"

6 x 6"
oil on masonite
sold

This new painting shows that beautiful glow of the early evening light on my first full day in Seattle. Skylines can be really difficult unless you approach it as a collection of shapes and color, hoping the depth will take care of itself. I often walk around cities squinting - seeing bundles of blocks and light - and this was one of my favorite views. Many, many more to come.

"College Street"

6 x 6"

oil on masonite

sold

This is a very painterly piece - an impressionistic view of what could be considered just an ordinary street on a bright, summer's day in Asheville.

Just to mention - between all of catching up on the mundane chores of life this past week, I've been trying out a couple of ideas and a bit too shy to show them yet. With a little breathing room with the galleries fully stocked up on paintings, I try to take the opportunity to step back and study .... experiment.

One thing that gave me a jolt was watching this BBC miniseries "The Impressionists". Rent it, it's good. There's reminders that we need to take the time and look and study the world around us. It reminds me to stick with what I think we really do see, at a glance - the blocks and shapes of colors, shadows and light - and to paint just that.

I also discovered an artist that reminded me of what I just mentioned. He's Doug Braithwaite, and you'll notice the thumbnails look somewhat ordinary until you opt for a larger view.

"Moon Over Market Street"

6 x 6"

oil on masonite

sold

I'd like to take you through my adventure in San Francisco, starting with the first night I arrived. I stayed nearby the bustling corner of Market and Fourth Streets, and when night falls, that area lights up like a Christmas tree. Your eyes dance around the colors and the movement of lights and people - it's just fantastic. This view is looking east, towards the Ferry Building way down in the unseen distance. I also had the pleasure of a bright, (near) full moon that added to the beauty of the city.