
12 x 12"
oil on masonite
sold
My day's work - you know I had fun with this one.
A little larger of a view can be seen here.
The results of the life of a paintaholic.

12 x 12"
oil on masonite
sold
My day's work - you know I had fun with this one.
A little larger of a view can be seen here.
9 x 12"oil on masonite
sold
Happy Thursday everyone. I've had the pleasure of a quiet day with no plans or obligations other than to paint and make supper. This new piece is now added to my personal favorites - mostly because of the placement of the painting and the woman but there are those little, special strokes of color that please me. Hardly visible unless you see it in person, but a little larger of a view can be seen here.
9 x 12"oil on masonite
sold
I'm not firm on the title - it was the first thing that popped into my head. And let me explain that....
The painting the woman was studying is "Susanna and the Elders" by Thomas Hart Benton, which hangs in the DeYoung Museum. It is one of my top favorites in that museum - one, because it's Benton's, whom I've admired since I was about 10 - and two, because of the subject.
The story is from the Book of Daniel - in short, Susanna was sentenced to death, falsely accused of adultery by the town's two elders, who were also the judges in such matters. The two men lusted for her and after witnessing her bathing nude (on her own property), they blackmailed her by giving her the choice of having sex with them or stand accused of meeting another man in secret. She refused, stood trial and would have been executed if not for Daniel challenging the elder's stories and proving Susanna's innocence. Benton's painting was found very offensive in 1938. Too erotic. Two interesting points - one of the 'elders' is a self-portrait of the artist and this was the first time an exhibited painting included pubic hair on a female.
When I was 15, I convinced my high school principal to let me paint an "American History" mural in the hallway. It was about 50 feet long and about 2 feet high and it was my personal homage to Thomas Hart Benton. All of the figures were elongated and exaggerated and the colors were vibrant. It was my first mural.