20 x 11"
oil on panel
Women Rock. Especially Wayne Thiebaud's women. Big, bold, colorful and direct.
This new painting for the upcoming show features two of Wayne Thiebaud's women - I'll start with the one on the left, Supine Woman - in the permanant collection of Crystal Bridges Museum of American Art. The definition of supine can mean 'lying on one's back' or 'mentally or morally lethargic'. Thiebaud's painted her, modeled by his daughter Twinka, in 1963 so the 'lying down' posture with open legs and a white dress, brown dress shoes and a clinched fist does make a profound statement if you consider the year 1963 given the oppression of women in society and the workplace.
The same can be said of Girl With Ice Cream Cone, also painted in 1963 - which includes the often painted subject of an ice cream cone. This fabulous piece hangs in the Hirshhorn at the Smithsonian in Washington, DC.
I read if Edward Hopper can be called the painter of the East coast certainly Wayne Thiebaud can be considered the painter of the West coast. If you count the artbooks I've collected through the years, both Hopper and Thiebaud dominate. They're both hugely influential to what I love about painting. Thiebaud's range of subject matter goes from the most-recognized dessert compositions to stunning, aerial views of California landscapes and cityscapes to bold portraits to etchings and drawings. His attention to edges and his love of shadows have formed a likewise style in how I paint. I really do gush when I start talking about Thiebaud, an American treasure.
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