Showing posts with label Smithsonian American Art Museum. Show all posts
Showing posts with label Smithsonian American Art Museum. Show all posts

Tuesday, March 24, 2020

Checking in.



Checking in and hoping everyone is well. 

I'm working on one of the hardest reproductions I've ever done of the masterpiece by Albert Bierstadt - getting lost in the Sierra Nevada mountains.  There's a certain Zen to painting a scene so peaceful and awesome. 

Albert Bierstadt was a German-American artist, born in Prussia, moved to America at the age of 1.  He traveled westward with a U. S. land surveyor to witness the unseen, vast, mountainous landscapes and returned to New York, completing several paintings from sketches done on his trip.  He went back west for a second time, this time staying a couple of months in the Yosemite Valley - returning back home and painting his massive-scale pieces that he is well known for.

Bierstadt's images were vital to the aspirations of Americans and Europeans who were immigrating to the United States.  It showed them a world that had scarcely been seen and explored.

~ Stay healthy my friends and please stay home if you are able.  There's light at the end of this tunnel.

Thursday, June 13, 2019

"Out in the Open"

5-3/4 x 12"
oil on panel
sold


A long time ago I visited the Smithsonian Museum of American Art, one of my favorite museums, and saw Romaine Brooks' Self-Portrait for the first time.  I instantly fell in love with that painting.  It was monochromatic, moody, intriguing.  It was one of the first prints I ever framed for myself.  Still have it.

Romaine Brooks painted the Self-Portrait in 1923.  She lived most of her life in Paris and at the age of 36 she exhibited her work in a gallery for the first time, quickly establishing herself as an artist.  She was a leading figure in the bohemian, expatriate, counter-culture of Parisian life - sporting her androgynous look and going against all conventional ideas of how a woman should present herself and behave.  

Leading up to her more-independent years,  Brooks had led a young life filled with turmoil - a daughter of wealthy Americans, parents divorced, father abandoned the family, raised by an abusive, alcoholic mother who gave her to a poor family living in a New York City tenement.  That family tracked down her grandfather, who sent Brooks her to boarding school.  Understandably, at the age of 19, she left it all behind her and moved to Paris.  There, she had a child who she placed in a convent for care, fled to Capri, lived in poverty, had a nervous breakdown, returned to New York to care for her dying mother who left her with a large inheritance, making her and her sister independently wealthy.

The unbelievably fascinating life of Romaine continued for her entire life - love affairs with famous women writers, actresses, political activists, aristocrats - maybe sympathetic to Fascism, maybe not.  She was famously non-monogamous, thrived on being with people yet had long bouts of solitude.  She was complicated. Yet, because France had decriminalized homosexuality as early as the late 18th century, she was able to live her life as a lesbian out in the open and on her own terms.  Brooks lived until the age of 96, buried in Nice, France.

My painting will be included in the upcoming show The Ladies, opening August 2nd at Robert Lange Studios in Charleston.

Please click here for a larger view.



Saturday, November 17, 2018

"Good Morning"

9 x 12"
oil on panel
sold


The very same day I was finishing this new painting, the news came that the Edward Hopper painting Chop Suey had sold at the Christie's auction for $91.9 million.  That made me so happy seeming I worship Edward Hopper's works of art and I especially love this recognition of one of our country's treasures.  Yay.

Whenever I'm in the Smithsonian American Art Museum, I beeline to the Hopper paintings.  The one featured in my painting is Cape Cod Morning, done in 1950.  What grabs me about this piece is, within the bay window where the woman is looking out in anticipation of something, it's a whole separate painting within the actual, fairly simplistic composition of the sky, trees, grass and siding of the house.  I just love it.

Please click here for a larger view.