Saturday, February 27, 2010

"Sugar-Coated"

6 x 6"
oil on masonite
sold

I am sure there's many of you out there that aren't embracing the snow right now. But remember, I live in the deep south, and this is not only a rare occurrence, it's an unusual opportunity for me to paint something different, and I love that. It is staggering to see my world blanketed in white - almost no hint of color anywhere - the muted, silver sky - the amazing quiet. If it wasn't for my slipping on the ice and dropping my camera right smack in the snow, I would say that day was a perfect day.

I also get to play with thick, blended, warm and cool white paints - laid on thick and as heavy as the snow itself. So much fun. And I promise - the 18 new paintings you'll see in a few weeks will warm you up and remind you that brighter days are ahead.




Monday, February 22, 2010

"Birthday Girl"

6 x 6"
oil on masonite
sold

You know I need a spiritual lift when I paint a dog. My moment of Zen. This cutey is my good friend's frisbee-loving, pillow-chewing, one-year-old Abbey - who is a white, yellow labrador retriever. Her fur is compelling in that it brings out blues, tans, purples, greens, pinks - well let's just say all colors in the shadows and light. Love it. I'm sure I'll do more of this sweetie pie.


and an update....... I've got 18 new paintings to show you in a couple of weeks - I'm very anxious to post them but they are in the early stages of drying, then varnishing, then framing and finally delivered to several galleries around the second week of March. Once they've arrived, I will show all of them on my blog and my website. I can't wait. Meanwhile, I have some catching up to do with real life and I surely will keep warmed up with some small, loose paintings that I will offer on auction. These small studies, as I am reminded today, are so much fun.


Tuesday, February 2, 2010

"Naturally"

5 x 7"
oil on masonite
sold

I've been holed up - a painting machine. Good thing it's winter. Today, I just ended up playing with a different approach, something I'd like to develop more and more. The control factor is the key - using a palette knife in parts, a brush in parts - really struggling with that fine line of loose and tight and knowing when to stop.