12 x 12"oil on masonite
sold
This is one of those paintings I've wanted to do for a long time but didn't think I could pull off that carved seating without getting too tight in my brush strokes. Painting is for the patient, that's for sure. In these museum settings, sometimes it's all about the artwork or the figure and sometimes it's about the space. I think this is a little bit of all three.
From the sculpture gallery in the American Art wing, in the Art Institute of Chicago.
Please click here for a larger view.
Just a few thoughts to share on this last day of the year ~ I'm one of those people that plans out at least six months ahead. Not so rigid it can't be changed, but I often think in terms of what I am ready for, what needs to be different, what I need to shed. A year ago, I was wanting to try to teach a workshop or two ~ and did ~ but I realize it's something I've got to take more time to plan and get it right, before I officially go down that road. Perhaps in the second half of the new year. A year ago, I was sure I wouldn't commit to any solo shows ~ and I didn't ~ I joined in on group shows and a dual show, which was just right. It allowed me to explore different subject matters and grow a little more in terms of skill, with less pressure on my time.
Speaking of a date with art, I've got a couple of solid plans to tell you about ~
~ I will be presenting a solo show, taking place at the Morris & Whiteside Gallery in Hilton Head Island, opening March 13th. I'm concentrating on scenes from two southern cities, Washington DC and Charleston, South Carolina - including museum patrons, cityscapes, night scenes, interiors and beachscapes. If you want ... need a nice break from winter, please make plans to come to the opening ~ it's a lovely setting and it would be my pleasure to meet you.
~ I will be in a dual show, taking place at the Howard/Mandville Gallery in Kirkland, Washington, opening May 9th, with Fred Calleri. Talk about a lovely setting, you can't beat Seattle/Kirkland that time of year. Please pencil me in for the opening night, I'd be happy to meet you.
~ I will be participating in the various group shows at the 16 Patton Gallery, in Asheville, North Carolina, like this past year - I absolutely loved the different themes and hope to continue that in the new year. You can always get information on those shows on their website or on mine. That little city is a pleasure to visit any time of the year.
One change to note is that I have left the Cohen-Rese Gallery in San Francisco and the Twinhouse Gallery in Atlanta. Cohen-Rese, after years of a good relationship, chose not to pay me for a painting sold after I announced to them I was leaving the gallery. That's what some art gallery owners do to artists. I hope people take a cue from that experience.
I wish all of you a Happy New Year and thank you for your continued interest in my work, and all your comments and emails. That, above all, drives me every day.
From the sculpture gallery in the American Art wing, in the Art Institute of Chicago.
Please click here for a larger view.
Just a few thoughts to share on this last day of the year ~ I'm one of those people that plans out at least six months ahead. Not so rigid it can't be changed, but I often think in terms of what I am ready for, what needs to be different, what I need to shed. A year ago, I was wanting to try to teach a workshop or two ~ and did ~ but I realize it's something I've got to take more time to plan and get it right, before I officially go down that road. Perhaps in the second half of the new year. A year ago, I was sure I wouldn't commit to any solo shows ~ and I didn't ~ I joined in on group shows and a dual show, which was just right. It allowed me to explore different subject matters and grow a little more in terms of skill, with less pressure on my time.
Speaking of a date with art, I've got a couple of solid plans to tell you about ~
~ I will be presenting a solo show, taking place at the Morris & Whiteside Gallery in Hilton Head Island, opening March 13th. I'm concentrating on scenes from two southern cities, Washington DC and Charleston, South Carolina - including museum patrons, cityscapes, night scenes, interiors and beachscapes. If you want ... need a nice break from winter, please make plans to come to the opening ~ it's a lovely setting and it would be my pleasure to meet you.
~ I will be in a dual show, taking place at the Howard/Mandville Gallery in Kirkland, Washington, opening May 9th, with Fred Calleri. Talk about a lovely setting, you can't beat Seattle/Kirkland that time of year. Please pencil me in for the opening night, I'd be happy to meet you.
~ I will be participating in the various group shows at the 16 Patton Gallery, in Asheville, North Carolina, like this past year - I absolutely loved the different themes and hope to continue that in the new year. You can always get information on those shows on their website or on mine. That little city is a pleasure to visit any time of the year.
One change to note is that I have left the Cohen-Rese Gallery in San Francisco and the Twinhouse Gallery in Atlanta. Cohen-Rese, after years of a good relationship, chose not to pay me for a painting sold after I announced to them I was leaving the gallery. That's what some art gallery owners do to artists. I hope people take a cue from that experience.
I wish all of you a Happy New Year and thank you for your continued interest in my work, and all your comments and emails. That, above all, drives me every day.
