Thursday, March 30, 2017

"The Man Himself"



 6 x 8"
oil on panel
sold


What occurs to me when I study Self-Portrait by Rembrandt van Rijn is this is not only an exquisite oil painting but it's the man himself - notably one of the most famous artists of all time.

Rembrandt is known to have drawn, painted and etched many self-portraits during his lifetime and one can gauge his personal events and moods just by the differences in appearance in these portraits.  He painted this self-portrait in 1659 after he had suffered financial failure after many, many years of success.  He lost his mega-mansion and other possessions to pay back his creditors.  He was in a state of defeat, one can imagine.  Yet there is a sense of dignity in his older face and a deliberate portrayal of a learned painter.

From the National Gallery of Art in Washington DC.




Wednesday, March 29, 2017

"Tradition"

8 x 10"
oil on panel
sold


Watching the skillful hands of the Gullah men and women weaving their baskets with sweetgrass and thin strands of palmetto leaves is quite awesome.

A little history - the unique culture called Gullah is a blend of African and European that lives today in Sea Islands along the coast of South Carolina and Georgia.  All around the city of Charleston SC, the Gullahs exhibit a long standing West African tradition of what they call 'sewing' baskets made of dried sweetgrass and thin strands of palmetto leaves - both resources that grow in the low country region.  Their technique is not the usual weaving - rather they bundle dried sweetgrass and coil it into baskets held together by sewing the coils with the strands of palmetto leaves.

It is said these sweetgrass baskets are durable and will last indefinitely if taken care of.  The declines in habitat for sweetgrass are threatened by coastal development and the Historical Society of Charleston has established reserves on nearby Sullivan's Island - recognizing the culture and history of the Gullah communities.

From a sunny sidewalk in Charleston, South Carolina.

Please click here for a larger view.




Wednesday, March 22, 2017

"200 Faces, No. 150"

5 x 7"
oil on panel


I stretched a little further today with this new addition to my ongoing series BUST-ED.

Please click here to the auction page.  Auction ends April 1st, 9 pm ET.



Tuesday, March 21, 2017

"200 Faces, No. 149"

4 x 4"
oil on panel


A little stretching and exercising needed - adding to my ongoing series BUST-ED.

Please click here to the auction page.  Auction ends March 31st, 9 pm ET.



Thursday, March 16, 2017

"Big Red"

5 x 7"
oil on panel
sold


There comes a day when you want to paint a cow.

From a farm in southern Georgia.



Wednesday, March 8, 2017

"Hammered"

5 x 7"
oil on panel
sold


From the East Building of the National Gallery of Art in Washington DC - a woman stands in front of the hammered-bronze sculpture Knife Edge Mirror Two Piece by Henry Moore.



Monday, March 6, 2017

"Weavin'"

6 x 6"
oil on panel
sold


Back from Charleston and back to painting.  Yay.
More about the opening on the next post...

A woman weaving beautiful baskets from sawgrass in Charleston.




Wednesday, March 1, 2017

"Me Time" Show

Okay.

I'm going to plug the show one more time before the opening Friday night at Robert Lange Studios in Charleston SC.

All were delivered and hung today.  Those legs are not mine.




And here are the paintings in the show....


Aromatherapy
6-3/4 x 16" 
sold


Moms
12 x 12"
sold


Good Weed
9 x 12"
sold 


Folksy
9 x 12"
sold


Wayne's World
20 x 11"
sold


A World of Her Own
8 x 10"
sold


Laze Fare
9 x 12"
sold


Front Seats
9 x 14"
sold


Women of Color
9 x 12"
sold


In the California Sun
9 x 12"
sold


Two For One
7-3/4 x 16"
sold


World Domination
12 x 14"
sold


I See a Pattern Here
12 x 12"
sold


It's Not Always Black and White
16 x 16"
sold


Room Mates
10 x 10"
sold


For larger views on each painting, go to the gallery's page and click on the image.

Hope to see you on Friday night ~   Karin J.





Monday, February 20, 2017

The Art of Protest

 Every so often I take a day off.
























~ Happy Presidents' Day



Friday, February 3, 2017

"Hang On To Your Hat"

6 x 8"
oil on panel
sold


In between painting the show pieces, I painted this study thinking I'd do a trio of women viewing women - but then I got caught up in a John Singer Sargent piece that is one of my absolutely favorite works of art titled Smoke of Ambergris.  For now, I thought I'd put this small one on auction and revisit the idea in the future.

Featured is Edmund Tarbell's Preparing for the Matinee - one of those mouthwatering portraits done in the early 20th century.  The woman is Charlotte Barton of Boston, dressing up to go to the theater, with the most elegant tones and beautiful, subtle details to make one stop and study.

Tarbell was born in Massachusetts, interested in painting the lives of women in both interior and outdoor settings.  Tarbell was one of the Ten American Painters, a group formed in 1898, including the artists Childe Hassam, Frank Benson, Thomas Dewing, William Merritt Chase to name a few.  They exhibited as a group in New York, Boston, Philadelphia and beyond.




Saturday, January 28, 2017

The Golden Rule

The Golden Rule
by Norman Rockwell 1961


A little art history today for you.

Norman Rockwell's drawing was done in 1953, inspired by the United Nation's humanitarian mission, his idea was to portray the UN as the world's hope for the future, including 65 people representing the world's nations, "waiting for the delegates to straighten out the world, so that they might live in peace and without fear."

Rockwell was a compassionate and liberal man and the simple phrase 'Do Unto Others as You Would Have Them Do Unto You" reflected his philosophy.  He traveled all of his life and felt welcomed wherever he went and considered himself a citizen of the world.  Rockwell said, "I'd been reading up on comparative religion.  The thing is that all major religions have the Golden Rule in Common.  'Do unto others as you would have them do unto you'.  Not always the same words but the same meaning."

In 2014, the UN rededicated a large mosaic of Rockwell's 1961 illustration, which hangs in their New York City headquarters.  The mosaic was originally presented to the UN in 1985 as a gift on behalf of the United States by then First Lady Nancy Reagan.


Monday, January 23, 2017

"Wayne's World"

20 x 11"
oil on panel
sold


Women Rock.  Especially Wayne Thiebaud's women.  Big, bold, colorful and direct.

This new painting for the upcoming show features two of Wayne Thiebaud's women - I'll start with the one on the left, Supine Woman - in the permanant collection of Crystal Bridges Museum of American Art.  The definition of supine can mean 'lying on one's back' or 'mentally or morally lethargic'.  Thiebaud's painted her, modeled by his daughter Twinka, in 1963 so the 'lying down' posture with open legs and a white dress, brown dress shoes and a clinched fist does make a profound statement if you consider the year 1963 given the oppression of women in society and the workplace.
The same can be said of Girl With Ice Cream Cone, also painted in 1963 - which includes the often painted subject of an ice cream cone.  This fabulous piece hangs in the Hirshhorn at the Smithsonian in Washington, DC.

I read if Edward Hopper can be called the painter of the East coast certainly Wayne Thiebaud can be considered the painter of the West coast.  If you count the artbooks I've collected through the years, both Hopper and Thiebaud dominate.  They're both hugely influential to what I love about painting.  Thiebaud's range of subject matter goes from the most-recognized dessert compositions to stunning, aerial views of California landscapes and cityscapes to bold portraits to etchings and drawings.  His attention to edges and his love of shadows have formed a likewise style in how I paint.  I really do gush when I start talking about Thiebaud, an American treasure.

Please click here for a larger view.





Saturday, January 14, 2017

"Here Comes The Sun"

6 x 8"
oil on panel
sold


Before I started on my 11th painting for the upcoming show, I knew I needed a warm up - choosing one of my personal favorites in the Art Institute of Chicago, Jules Breton's The Song of the Lark.

Breton was a French realist painter, born in 1827.  During his childhood, his father tended land for a rich landowner and this subject matter of his native region was prevalent throughout his painting career. 

The Song of the Lark made news a couple of years ago, in an interview by Bill Murray in the Huffington Post, where he recounted his first experience on a stage, which did not go well.  Murray headed towards Lake Michigan thinking 'If I'm going to die, I might as well go over toward the lake and float a bit."  Before he made it to the lake, he stopped in at the Art Institute of Chicago and saw Breton's painting and he thought "Well there's a girl who doesn't have a whole lot of prospects, but the sun's coming up anyway and she's got another chance at it.  So I think that gave me some sort of feeling that I too am a person and I get another chance everyday the sun comes up."

'Any form of art is a form of power. It has impact, it can affect change - it can not only move us, it makes us move.'   ~  Ossie Davis





Thursday, January 5, 2017

An Honor



A little while back I was asked, by Dr. Gary Schallert, a Professor of Music and Director of Bands at Western Kentucky University Wind Ensemble, if I would be willing to contribute one of my painting images for the cover of their CD Of Our New Day Begun.  I painted Emanuel AME at Dawn in June of 2015, a few days after the tragic shootings occurred in Charleston, a way to mend a broken heart I suppose. 

Mr. Schallert explained the title song was written by Omar Thomas "to honor nine beautiful souls who lost their lives to a callous act of hatred and domestic terrorism on the evening of June 17, 2015 while worshipping in their beloved sanctuary, the historic Emanuel African Methodist Episcopal Church in Charleston."  Mr. Thomas goes on to say "My greatest challenge in creating this work was walking the line between reverence for the victims and their families, and honoring my strong, bitter feelings towards bothe the perpetrator and the segments of our society that continue to create people like him. I realized the the most powerful musical expression I could offer incorporated elements from both sides of the line - embracing my pain and anger while being moved by the displays of grace and forgiveness demonstrated by the victims' families."

I am honored to be a part of this project and thank Dr. Schallert for including me.

Music and art do soothe the soul.






Saturday, December 31, 2016

"High Over Pennsylvania"

6 x 6"
oil on panel
sold


I was quite hypnotized last night watching one of my favorite TV programs - Aerial America, on the Smithsonian Channel.  I saw hundreds of paintings in my head - patterns and patchworks of colors and shapes - I just wish I could cruise over land like a bird.  With a camera.  Aerials get me so excited for someone afraid of heights.

Between the hours-long paintings I'm working on for an upcoming show, I am in need of letting loose, with no worries of details, no sketching, just swirling the oils around.  So with great inspiration from my favorite program, I hope to continue this series for a while and hope you enjoy the view.

This bird's-eye perspective is over the farmlands of Pennsylvania.  

This painting will be my last of 2016 - my 89th painting this year. 

~ and a Happy New Year to you.


Saturday, December 24, 2016

Happy Holidays


Wishing you and yours
Peace & Love


Saturday, December 17, 2016

2017 Mini Wall Calendars!

SOLD OUT




Tuesday, December 13, 2016

"Flower Girls"

6 x 6"
oil on panel
sold


I've imposed some much-needed, happy, cheerful acts on myself lately.  Baking cookies, Crock-Pot stew, the Muppets Christmas Carol and painting this colorful, soul-enriching piece featuring Diego Rivera's Flower Festival: Feast of Santa Anita

A couple of things I need to mention here - you don't see much progress on my blog because I'm working on paintings for a solo show held in early March.  It kills me not to reveal them as I go.

And... for those who've asked?  I have a calendar not quite ready, I know it's late in the year, but it's coming and I'll shout from the mountain top when it is.

Now for the artist Diego Rivera.  Born in 1886 in Guanajuato, Mexico - a large, colorful, overbearing, talented painter best known for his depictions of the working class and native Mexicans.  At the age of 35, through a government program, he painted a series of murals in public buildings about the country's people and its history, some controversial and all very powerful.

Rivera was a lady's man, married twice before marrying the artist Frida Kahlo who was 20 years younger - both known for their interest in radical politics and Marxism.  They fought often and divorced and remarried in 1940 - Kahlo died in 1954 and Rivera married again, to his art dealer.  He died several years later from cancer and heart failure in 1957.

Rivera's Flower Festival was painted in 1931 depicting a flower festival held on Good Friday in Santa Anita, included in a solo exhibition at MoMA the same year.  





Friday, December 2, 2016

"Positives and Negatives"

6 x 8"
oil on panel
sold


From inside the National Gallery of Art in DC, a woman viewing one of Franz Kline's powerful abstracts.


Tuesday, November 29, 2016

"Light Waves"

8 x 10"
oil on panel
sold


Today is Giving Tuesday and I am participating in my own way - donating 75% of the final sale of this painting to Our Lady of Perpetual Help Home here in Atlanta.  This hospice operates solely on private donations and cared for my dad.





Tuesday, November 22, 2016

"Ode To Autumn"

6 x 8"
oil on panel
sold


One of the many masterpieces in our National Gallery of Art in DC is Winslow Homer's Autumn.  It will take your breath away.  It's casual and approachable.  Homer's rich reds, bronzes, greys, greens and golds are as stunning as the fall leaves that surround us during these few weeks. Ode to autumn.

Winslow Homer is an American treasure, born 1836 in Boston - a printmaker, painter, illustrator.  A little-known fact - at the age of 25 he was sent to the front lines of the Civil War to sketch battle scenes, camp life, commanders - all of which were published in Harper's magazine. Those sketches were later formed into realized paintings when Homer returned home.

Homer then turned his attenton to more nostalgic scenes of childhood and family - then to postwar subjects of Reconstruction and depictions of African American life after emancipation.   The most familiar paintings of Winslow Homer are his landscapes and seascapes - done is his later years when he moved to Prouts Neck, Maine.  It has been said Homer led an isolated life as an old man but continued to paint vigorously, hinting a turn to more abstract and expressive art.  He died at the young age of 74.

Speaking of American treasures....

I watched President Obama's ceremony today, awarding 21 Medal of Freedom recipients who all are truly outstanding humanitarians who've made positive, progressive, compassionate, brilliant contributions of our country.  I will miss President Obama for his grace and thoughtfulness and reminding me what's important and good about us.  Take some time and watch the ceremony in its full version here.

~ Happy Thanksgiving


Wednesday, November 16, 2016

"The Hill"

6 x 8"
oil on panel
sold


There is so much I'd like to express.

But this is my painting blog. 

Art does soothe the soul when it's needed most.

I've just returned from a trip to visit family and spent an afternoon soothing my soul in the National Gallery of Art in Washington DC.  As I crossed Constitution Avenue on my walk back to the car from the museum, I stopped to admire our newly-renovated, unscaffolded Capitol Building.  


Friday, November 4, 2016

"Woman To Woman"

6 x 8"
oil on panel
sold


Ahhhh.  Nothing quite as exquisite as a Vermeer painting.  The artist Jan Vermeer was born in the Netherlands in 1632, one of the most highly regarded Dutch artists of his time and all time.

There are scant records of Vermeer's start as an artist, but experts draw a straight line of influence to Rembrandt and Caravaggio.  Many of his masterpieces are about domestic scenes, depictions of women doing chores around the house - the notable and famous painting Girl with a Pearl Earring portrayed a young woman who worked in his household.

Jan Vermeer suffered financially in his old age, due to the Dutch economy tanking after being invaded by France in 1672.  He was deeply indebted by the time of his death in 1675, only then becoming more world-renowned and leaving approximately 36 paintings that are hung in prominent museums around the world including the gem you see in my painting titled Young Woman with a Water Pitcher, which hangs in the Metropolitan Museum of Art in New York City.


Thursday, October 27, 2016

"Give Me a W"

6 x 6"
oil on panel
sold


My homage to Rockwell and our World Series - a young Chicago Cubs fan viewing Norman Rockwell's The Dugout.

GO CUBS!



Tuesday, October 25, 2016

"Cleared For Takeoff"

8 x 6"
oil on panel
sold


Speaking of the beach...

A friendly gull I met last week.