"Go With The Flow I"

Go With The Flow I

5 x 5"

oil on panel
sold
 

I've been playing around with my photos - looking for possible diptychs and triptychs - and tried it out with a small group of women sitting on the beach, watching the ocean tide flow.  It's tricky, and takes time matching up the colors and composition and the goal is that each painting could stand alone as well as together. 

And here are the two paintings together -

"A Voice" (study)

6 x 8"

oil on panel
sold

Jean-Michel Basquiat is probably the most recognized Neo-Expressionism artist of the 20th Century, born in Brooklyn, NY in 1960, his father was Haitian-American, his mother was Puerto Rican.  I would describe him as brilliant (he could read and write at the age of 4, fluent in French, English and Spanish at age 11) self-sufficient (at 15, he ran away from home, living in a park in New York City for a week, later supporting himself by selling paintings on postcards and T-shirts) creative (became a well-known graffiti artist under the pseudonym SAMO) musical (formed a rock band Gray and played all over New York) all before he found fame in the elite art world at the age of 20.  

Basquiat then rolled with the famous - David Bowie, Madonna, Julian Schnabel and collaborated with Andy Warhol - was on the cover of magazines - his paintings were selling for as much as $50,000 - all the while loosing his grip with a heroin addiction.  After his good friend, Warhol died in 1987, he sank into a more isolated existence and died of a herion overdose at the age of 27.

It's tragic, I know.  The man had a lot to say and express about race, love, beauty, culture, pain, success, snobbery (I could go on).  

One of my top-10 favorite movies is Basquiat - Jean-Michel played brilliantly by Jeffrey Wright, directed by Julian Schnabel who knew Jean-Michel well, David Bowie as Warhol - man, it is a great movie.  Watch it.

A big thank-you to my good friend for the reference photo - two young, African-American men soaking in Basquiat's Untitled (Cadmium), in the High Museum of Art in Atlanta.

"Wait Up"

4 x 4"

oil on panel
sold

This was fun to paint.

From the sunny beach on Hilton Head Island, a little sidekick trying to keep up.

"At Ease"

4 x 4"

oil on panel
sold

After working pretty hard on a lot of detailed paintings, I was in need of letting loose with a few small, painterly pieces - no sketching out, just jumping right in.

And because the beach is on my brain ...  you'll see more coming up.

"Gentleman Farmer"

6 x 8"

oil on panel
sold

Everyone knows this iconic painting.  People from all over the world recognize the farming couple. If you observe people in the Art Institute of Chicago, when they see Grant Wood's American Gothic, they immediately stop to look closely. 

Truth be told, the man and woman were models for Grant Wood's vision of 'the kind of people I fancied should live in that house'.  The woman was Wood's sister and the man, their dentist.  The house still stands in Eldon, Iowa - I've seen it myself.  We took a road trip along the Grant Wood Scenic Byway several years ago - a most splendid drive through rolling hills, all too familiar in Wood's paintings.

Grant Wood is in my top-10 favorites list of artists.  I have books of his work dating back to the 70's.  I have a love affair with the Regionalism artists - referred to as American Scene painting done from the 20's thru the 50's.  Thomas Hart Benton, John Curry, Grant Wood are the most recognizable of that art movement.  It is said that their depictions of rural life in the American heartland made people feel better during the Great Depression - specifically American Gothic came to be seen as a depiction of steadfast American pioneer spirit.

Wood entered his painting in a competition at the Art Institute of Chicago and although the judges poo-pooed it, a patron convinced them to award it with a medal, a cash prize and persuaded the museum to buy the painting, where it is today.

"Catching Waves"

6 x 8"

oil on panel
sold

Geezaloo - I wanted to tell you about J.M.W. Turner, the painter of Fishing Boats with Hucksters Bargaining for Fish the day after I posted this painting, but, when an A/C guy came to my house to check on a simple thing, he ended up breaking my A/C.  No sorry ma'am, just said he'd order the broken parts and he'd call Monday.  I promptly told the jerk never to return and someone else find the parts.  I was kinda in a snit most of the weekend.  I still have no word on the parts.  And no A/C.  In Atlanta.

About Turner - an Englishman born in 1775, he was a talented, budding artist at age 13 selling his drawings and at 17, the Royal Society of Arts gave him the top award for landscape drawing and he was off and running.  He sold his drawing designs to engravers and gave private lessons at that young age.  He exhibited his works up until 1850, sold approximately 2,000 paintings, 19,000 drawings and close to 300 finished and unfinished paintings were still in his studio by his death.

Turner was known as the 'painter of light'.  Not to be mistaken for the hack artist, Thomas Kinkade. (is that too personal?)  There was a great movie that came out a couple of years ago, Mr. Turner, and if you've seen it, you know as an older man, he became an eccentric.  He was a recluse, had few friends except his father, who lived with him for 30 years.  He never married but had two profound relationships with two women, the second one, Sophia Booth, became a widow and Turner took his place in her home as Mr. Booth for 18 years until his death in 1851.

Turner died and left a small fortune that was grabbed up by his first cousins, who contested his will and won a portion.  The remainder went to the Royal Academy of Arts, which named an award given to accomplished students the Turner Medal.  His paintings were scattered around, into museums in Europe and beyond and some selling for millions in auctions in the last two decades.  Stephen Wynn, the casino magnate, bought one in 2006 for $35.8 million.

So if someone ever asks you who the most famous landscape painter was, it's J.M.W. Turner, hands down.

From the Art Institute of Chicago, a woman viewing Turner's dramatic seascape.

"Eden"

6 x 8"

oil on panel
sold

So I don't dwell on the possibility of a maniac being our President - I paint.  A perfect escape.

From the Art Institute of Chicago, a woman rests on a bench in front of Adam and Eve, painted by Lucas Cranach the Elder.

"For Your Viewing Pleasure"

6 x 8"

oil on panel
sold

Pardon my absence - I've been working on several paintings for a Small Works Auction taking place in July.  I've got one more to go and I'll post all of them.

This new painting is of a woman viewing Pablo Picasso's Les Demoiselles d'Avignon which hangs in the Museum of Modern Art in New York City.  It's HUGE - 96" x 92", which effectively feels like the women in the painting are life-size and on display for all eyes to see.  

The painting portrays five prostitutes from a brother in Barcelona - it has a distinctive primitive style and is really the beginning of cubism and Modern Art.  First exhibited in 1916, it was quickly deemed as immoral.  Years later, exhibited in a gallery in New York City, MOMA bought the painting for a mere $24,000.

Crazy cheap.

"Party Crasher"

10 x 10"

oil on panel
sold

The span of days you didn't hear from me recently was largely due to my working on this new painting.  It tires me to drag out a piece for days - I suffer from a short span of attention, paint for a few hours and seek out other things to do around the house.  I truly love starting a painting in the morning and finishing in the evening.  

But Renoir's masterpiece Luncheon of the Boating Party is complex - you have a landscape, still life and fifteen figures and a dog all in one.  Sixteen figures including the my viewer.  

The famed painting is in the Phillips Collection, one of the off-the-mall museums in Washington DC - and a must-go-to place.  Especially to soak in Renoir's painting.

The Boating Party is a very interesting anatomy of Renoir's friends -

- the woman on the bottom left, holding a dog, is Aline, who married Renoir and together they had three sons.

- the man on the bottom left wearing the boater's hat is Gustave Caillebotte, an accomplished artist who painted Paris Street, Rainy Day - a crowd favorite which hangs in the Art Institute of Chicago.  Gustave was also an avid boatman.

- in the threesome in the upper right corner is the actress Jeanne Samary with two of Renoir's closest friends flirting with her.

- the man with the boating hat in the upper left and the woman in the boating hat leaning on the rail are brother and sister and children of the proprietor of the restaurant Maison Fournaise, where the scene takes place.

- the remainder are poets and critics and a wealthy art historian, collector and editor of the Gazette des Beaux-Arts.

Clearly the in-crowd.

Please click here for a larger view.

"Figured Out"

6 x 8"

oil on panel
sold

When I posted this new painting last night, I said I wanted to add a bit more interesting facts but I was late for my evening walk with the dogs.  I was in such a rush, I mistakenly wrote Picasso was the artist, which is why my eBay listing says so.  It was Henri Matisse.  Yikes.  That'll teach me.

Anyhoo.... back to 'Bathers By A River'.  It has a prominent spot in The Modern Wing of the Art Institute of Chicago - on a huge wall as you enter the gallery.  The painting is enormous, so much so, most stand way back for a view.  I'm so drawn to this painting, I beeline right to it when I'm at the Tute.

Back in 2007,  the experts at the Art Institute studied this painting in depth, knowing Matisse was known to work on paintings in stages and piecing together separate panels - and knowing The Bathers took over eight years to complete, they went into more of an examination of his technique.

The Bathers and two other paintings were commissioned by a Russian collector, originally planned as three panels to fit in the man's residence - and after seeing a watercolor study, he rejected it.  But Matisse kept working on it during the next eight years, changing colors - really the whole design.  This was evident when the conservators removed the varnish and used infrared technology and X-rays - seeing a completely different palette.  That discovery morphed into an exhibition at the Art Institute of Chicago, then MoMA, titled 'Matisse: Radical Invention, 1913-1917' - which examined more of Matisse's works and techniques.

As for Matisse, it is a fantastic biography of his life and career - I find the most interesting personal tidbit being that his wife Amelie, whom he was married to for 41 years, suspected infidelity and ended the marriage.  The woman he was having the affair with attempted suicide by shooting herself in the chest BUT she survived and returned to a now-single Matisse and was his loyal assistant for the rest of his life.

Around the age of 71, Matisse was diagnosed with abdominal cancer and after surgery that left him bedridden, he was physically unable to paint and he turned to a new medium, creating cut paper collages for another decade and produced some of the most extraordinary works you're probably familiar with.

"Loners"

6 x 8"

oil on panel
sold

The Delaware Art Museum in Wilmington houses a few paintings by one of it's native sons, Howard Pyle.  Pyle is referred to as 'the father of illustration'.   He was why, as a little budding artist, I wanted to be an illustrator.  He founded the Howard Pyle School of Illustration Art in the early 1900's, later named the Brandywine School.  If Brandywine sounds familiar, it is where the artists of the Wyeth family lived and painted.  N.C. Wyeth was a student of Pyle's - becoming one of the most extraordinary book illustrators of his time.

If you were a student of Howard Pyle, you and other fellow students and painters would set off to historical sites - often taking along costumes and playing out the scenes - reaching into their imaginations of maybe what the life of a pirate was or how the Pilgrims dealt with their new land in Plymouth.  It had to be a wonderful, unique experience for those artists.

The painting I feature is one of my personal favorites titled Marooned.  The painting is quite simple in composition but it really tells the story.  Marooning was a punishment for a member of the crew who violated the pirate's code.  It was first mentioned in Treasure Island and it was a real practice where they would banish the poor guy to a deserted, bleak island with a little water, food and a pistol to commit suicide.  Historically, a few survived their punishments and lived to tell.

I learn something new every day.

"Bird Sighting"

6 x 8"

oil on panel
sold

I saw this exquisite painting at the Delaware Art Museum a few years back.  I felt .... lucky.  There haven't been many chances in my life to see those Pre-Raphaelite portraits of women in their luxurious clothes and settings.  They're so yummy.

The painting in my painting is 'Veronica Veronese' by Dante Gabriel Rosetti, done in 1872 - first sold to a frequent collector, a rich shipping magnate Frederick Leyland, changed hands a few times then it was donated to the Delaware Art Museum in 1935.

Rossetti's painting is filled with symbolism - the uncaged bird, the daffodils, the camomile in the cage.  Rossetti was English, a co-founder of the Pre-Raphaelite Brotherhood of artists and poets, which evolved through the years.

Out to Lunch

On this Easter holiday weekend, I want to say I've completely lost my mind.

I've had a long time desire to paint Renoir's Luncheon of the Boating Party since the day I saw it in person about seven years ago.  I tackled it once.  It was much looser.  And there was a crowd in the way.  I was saner back then.

Now I'm zeroing in on Renoir's incredible attention to detail, seeing things I've never noticed before.  Here's my slow progress...

I really should go dye some eggs.

I also wanted to mention Senator John McCain wrote an article in the New York Times today - about a recent obituary, the death of a U.S. soldier Delmer Berg.  He was 100 years old.  

The reason I bring this up?  Picasso's painting Guernica, which I recently featured in my painting War Paint.  

Mr. Berg was the last known veteran of the Abraham Lincoln Brigade.  One of about 3,000 mostly-American volunteers who fought in the Spanish Civil War, in defense of the leftist government of Spain, against the Nationalists, led by Franco.  I never knew about the Abraham Lincoln Brigade.  It was part of the International Brigade, which included tens of thousands of foreign volunteers that fought against the bombings and destruction of many little hamlets in Spain.  Guernica being one of them.

So coming to the aid of a foreign land and people, people that these volunteers never knew - is quite profound.  

~  Happy Easter

"Mystic" (study)

6 x 8"

oil on panel

sold

And now for peace....

The National Gallery of Art in Washington DC is home to this beautiful, wooden sculpture 'Saint John of the Cross (San Juan de la Cruz)' - commissioned in 1675 by a convent near Seville, Spain to a 21-year-old artist named Francisco Antonio Gijon.  The contract survived all these years, stating the work was to be made of cypress supplied by the monks and be finished in less than two months time.

Yikes.

Saint John of the Cross was a 16th century Spanish mystic, imprisoned for pushing reform of his Carmelite order - his imprisonment inspired some of the most admired poetry and spiritual verses ever written in Spanish.  The mystic figure holds a quill on one hand and a book with a model of a mountain surmounted by a cross in the other - referring to his 'The Ascent of Mount Carmel'.

This 6-1/2' sculpture will bring you to your knees.

~ Happy Spring

"War Paint" (study)

6 x 6"

oil on panel
sold

Considered Pablo Picasso's most famous painting, Guernica, was a powerful political statement depicting the horrors and devastation of the Nazi's bombing of the town Guernica during the Spanish Civil War in 1937.   The size of Picasso's painting is 25 1/2' x 11' which effectively awes any viewer.

Picasso was working on a mural at the time of the bombing, commissioned by the Spanish Republican government for the upcoming Paris exhibition but scrapped his original idea and began planning his composition of Guernica.  News of the massacre reached Paris and protests erupted all over the city - newspaper pages covered with stark black & white photographs of the devastation - which inspired Picasso to start working on Guernica in black and white and blue-grey tones.

Picasso finished three months later, delivered to the Spanish Pavilion at the Paris Exposition already in progress.  Initial reaction was overwhelming critical - the German guide described the painting as 'a hodgepodge of body parts that any four-year-old could have painted' and dismissed it as the 'dream of a madman'.  Even Russia, who sided with the Spanish government, criticized it, saying a more-realistic painting would have impacted the social or political future.

After the Paris tour, Guernica made its rounds in Europe and North America raising atttention to the threat of fascism.  During WWII until 1981, it hung in the Museum of Modern Art in New York City, traveling back and forth to other countries - but never Spain.  Picasso refused it go to Spain 'until the country enjoys public liberties and democratic institutions' - which in 1981, after the death of Franco and the movement towards democracy, Guernica was put in its final home, the Reina Sofia in Madrid.

"Unwrapped"

5 x 5"

oil on panel
sold

My appreciation for the multitudes of colors in a fish.

"Giving Pause"

5 x 7"

oil on panel
sold

My ongoing attention to James McNeill Whistler inspired this new painting - a woman pausing before Whistler's 'Harmony in Green and Rose: The Music Room', which hangs in the Freer Gallery of Art - a commonly missed museum in Washington, DC.

"Tender Loving Care"

6 x 6"

oil on panel
sold

It's high time I featured a woman artist - the very recognizable Mary Cassatt.  

Cassatt was American, born in Pennsylvania in the mid-1800's, in a well-to-do banking family.  She was one of seven children who were raised with high education, traveling and living in Europe for an extended period, all the while learning French, art and music.  She was around 11 years old when she first saw the great French artists like Corot and Ingres among others.

Her family objected to her becoming a professional artist - regardless, she began studying art and painting at the Pennsylvania Academy of Fine Arts in Philly - being one of the few women students in a male dominant environment.  It wasn't easy for women at that time to be taken seriously so she moved to Paris at the age of 22, with her mother, and began more formative studies.

She returned to Pennsylvania for a while, tried to capture attention in several galleries, but was discouraged over and over until the Archbishop of Pittsburgh commissioned her to paint copies of the Italian artist, Correggio, and all expenses paid to travel back to Europe - which she happily accepted.

Cassatt continued her stay in Europe - suffered the same setbacks a woman had to deal with until her big break when Edgar Degas invited her to show her works with a group who called themselves The Impressionists.  For years, she blossomed as an artist and relished their cause and notoriety.

I find the most interesting part of her life was in her later years,  at around 66 years old, Cassatt traveled to Egypt, followed by a crisis of creativity (haven't we all felt that at one time) - so impressed with 'the strength of this Art' that it almost defeated her.  She suffered from cataracts, crippling arthritis and diabetes but kept on painting but was forced to stop painting at the age of 70, as she was almost blind.  She then took up the cause of women's suffrage, contributing to the movement by showing and selling her paintings.

Cassatt is best known for her depictions of women's daily lives and their closeness to their children - as seen in 'The Child's Bath' (featured in my painting) which hangs in the Art Institute of Chicago.

"A Peek In The Bedroom"

6 x 8"

oil on panel
sold

Two things inspired me to paint this on Valentine's Day.   The couple, of course, enjoying time together and this article in the Chicago Tribune about Vincent van Gogh's famous painting 'The Bedroom', which hangs in the Art Institute.

"Double Date"

sold

I don't usually show you my paintings framed but I thought this was so gorgeous, I'd show it before I shipped it off to The Red Piano Art Gallery.  Should be hanging on their wall just in time for Valentine's Day this Saturday.

This piece 'Double Date' and 'Formal Wear' - allow me to refresh your memory....

sold

will be included in the Hilton Head Art Auction taking place February 27th at The Red Piano Art Gallery.

You can find the details and contact information on my webpages for each painting - here for 'Double Date' - and here for 'Formal Wear'.

"Zen Time"

6 x 6"

oil on panel
sold

A couple of weeks back, I was refreshing my memory about William Merritt Chase (for this post) and came across 'The Ten' - a revered group of artists that included Chase.  I jotted down several names that I was familiar with and love their work, one of which is John Henry Twachtman.

I always stop in my tracks when I come across Twachtman's paintings, very much like another member of The Ten, Willard Metcalf - they both painted landscapes that are so calming, so still, so very Zen.  I especially love their snow scenes.  They painted loose, painterly, seemingly quick - most likely they were outdoors painting plein-air.

In the Metropolitan Museum of Art, New York, Twachtman's 'Arques-la-Bataille' hangs in front of a bench for all the right reasons.  The scene is calm, the color palette is soothing and low-key - a good painting to get lost in.

Twachtman was an American artist, from Cincinnati - traveled and studied abroad with fellow artists and discovered like-minded painters who took on the Impressionistic style of the times, which was in the mid-to-end of the 1800's.

It's also my moment of Zen to paint these images - taking rich greens and blues and lavenders and greying them down a notch.  It made for a mellow day of painting.

"Caucus Country"

6 x 6"

oil on panel
sold

An ode to the beauty of a simple, stately farmhouse in Middle America, Iowa.

Ken Auster

 'Into The Light'

by Ken Auster

Somewhere in 2003,  I was on my 24th year running a frame shop with no other future plans but to keep on doing what I knew how to do.  In my off hours, I'd look at art on the web, mostly to sell in my gallery and I landed on the artist Ken Auster.

Mind you, I had never painted in oils, never really painted much at all - I was a drawing freak since I was a kid.  When I saw what and how Ken Auster painted, something sparked a flame inside of me.  For years I framed trendy stuff - cottages, florals, quirky Amish scenes, etc - none of which ever convinced me to join the painting world until I saw Ken's work.  There were everyday, simple moments - glimpses of people, colorful city streets, surfers at the beach - real life that's all around us.

What really grabbed my attention was his style of quick, deliberate brush strokes that meant something - nothing more needed to get the point across.  It was the first time I'd ever heard the phrase 'economy strokes'.  It was impressionistic, never over-done and it made me want to paint.

The end of 2003, I'd taught myself how to work with oils, took photos everywhere I went, and that was the beginning of my life as an artist.

 'Lunch Hour'

by Ken Auster

 

 

I bookmarked a gallery that Ken Auster was part of back in 2003, kept up with his new work, and sometime around 2007, that very gallery contacted me about representation - the Morris & Whiteside Gallery in Hilton Head (now The Red Piano).  The first thing I said to Ben Whiteside was 'isn't this the gallery who has Ken Auster's work?'.   Needless to say, I was floored - quickly accepted Ben's invitation and I've been part of his gallery ever since - with my paintings hanging next to Ken's.  Holy cow.

I know Ken knew his impact on my life and although we never met, I knew him through his paintings.

Ken passed away yesterday I'm told, way too soon.  This is my small tribute to a brilliant artist who lives on through his work.

 

"Wallflowers"

6 x 8"

oil on panel
sold

Most people know Toulouse-Lautrec for his short stature and his paintings of the Moulin Rouge.  I'll tell you a bit more about this genius, who was also a printmaker and illustrator born in France in 1864.

He was the son in an aristocratic family, his parents were first cousins who, early on, split up and Henri was raised by a nanny until the age of 8 when he went to live with his mother.  He was a budding artist early on.  At 13, he broke his right femur and a year later fractured his left, which never healed properly.  He suffered from several genetic disorders, attributed to a family history of inbreeding.  As an adult, he stood at 4 ft, 8 in tall which most likely was why he immersed himself in art.

Toulouse-Lautrec had a tragic life, contracted syphilis, abused alcohol to deal with his pain, had a nervous breakdown at the age of 34 and died at the age of 36.  He left behind more than 700 paintings, 350+ prints and posters and over 5,000 drawings.  The quintessential suffering artist I'd say.

What stands out to me is he painted real people in real places doing real things.  Not glamoured up but people as they were, warts and all.  Honest and sympathetic.

From the National Gallery of Art in DC, a woman in Henri De Toulouse-Lautrec's painting 'A Corner In a Dance Hall' seemingly looks on at a visitor studying another piece.

"Black and Blue"

6 x 6"

oil on panel
sold

For many, I hope you are home safe and sound and ready for snowmageddon - I was hoping we'd have a little of that here in Atlanta.  

My work days were interrupted by my 19-year-old furnace dying, fortunately it was replaced yesterday - so now we're broke but warm and happy.  So the painting goes back on to recover from that.

I could go on and on about Andy Warhol, but most people know how brilliant, odd, prolific he was.  One of my very favorite movies is Basquiat - the late, great David Bowie portraying Warhol.  Great flick to stream in this wintery weekend.