Showing posts with label Regionalism. Show all posts
Showing posts with label Regionalism. Show all posts

Thursday, May 23, 2019

"Man and Wife"

9 x 12"
oil on panel
sold


My new painting features the iconic portrait American Gothic by one of my favorite painters, Grant Wood, in the Art Institute of Chicago

The viewer usually assumes the couple in the painting is man and wife although it was meant to depict a farmer and his spinster daughter.  The models were Wood's sister, Nan, and his dentist, Dr. Byron McKeeby, both Iowans.

Fun facts about American Gothic ~

~ It was an instant success, entered into the 1930 exhibition at the Art Institute and purchased by the museum.

~ The little, white cottage still stands in Eldon, Iowa.  I've been there.  The second floor window is 'carpenter gothic' style, which Wood found pretentious for such a humble home.

~ The dentist, Byron McKeeby, felt obligated to pose for Wood as he was a worthy patient who enjoyed sugar on most everything.  Even lettuce.

~ Both models and the house were all painted in separate sessions.

~ Iowans weren't thrilled with how they were portrayed to the world, as this wasn't how they saw themselves. One farm wife was so mad, she threatened to bite Wood's ear off.  Wood insisted he was a loyal Iowan and meant no offense, only a homage.

~ The artist's signature is hidden in the farmer's overalls.

The importance of American Gothic is, in Wood's own words, to celebrate the nation's fortitude and spirit during tough times.  It brought rise to Regionalism, or American Scene painting, making fellow artists like Thomas Hart Benton and John Curry and Grant Wood famous.  Personally speaking, all three of these painters are favorites of mine.

Please click here for a larger view.


Tuesday, May 10, 2016

"Gentleman Farmer"

6 x 8"
oil on panel
sold


Everyone knows this iconic painting.  People from all over the world recognize the farming couple. If you observe people in the Art Institute of Chicago, when they see Grant Wood's American Gothic, they immediately stop to look closely. 

Truth be told, the man and woman were models for Grant Wood's vision of 'the kind of people I fancied should live in that house'.  The woman was Wood's sister and the man, their dentist.  The house still stands in Eldon, Iowa - I've seen it myself.  We took a road trip along the Grant Wood Scenic Byway several years ago - a most splendid drive through rolling hills, all too familiar in Wood's paintings.

Grant Wood is in my top-10 favorites list of artists.  I have books of his work dating back to the 70's.  I have a love affair with the Regionalism artists - referred to as American Scene painting done from the 20's thru the 50's.  Thomas Hart Benton, John Curry, Grant Wood are the most recognizable of that art movement.  It is said that their depictions of rural life in the American heartland made people feel better during the Great Depression - specifically American Gothic came to be seen as a depiction of steadfast American pioneer spirit.

Wood entered his painting in a competition at the Art Institute of Chicago and although the judges poo-pooed it, a patron convinced them to award it with a medal, a cash prize and persuaded the museum to buy the painting, where it is today.