
This painting is one of my personal favorites - if asked why, it was a challenge, a fun challenge, that includes 57 individuals frozen in a moment, busy with others or standing in line or resting on a bench. The view is from a couple floors up, looking down into the lobby of the Guggenheim - and at that very moment, to my delight, someone was pointing their camera up at me.
The challenge was to keep it all right - the distortion of the bodies, the correct proportions of each to another, the uniqueness of each person and mostly, keeping it loose and casual. It's one of those scenes that you must depend on seeing shapes and color as you're painting, rather than what it really is.
I will also say that, if you could view the original painting, you'd see more to the edges and brush strokes, which give it all a little movement. If you're in Seattle, please visit the Howard/Mandville Gallery to see this painting and others.
Click here for a larger view.
The challenge was to keep it all right - the distortion of the bodies, the correct proportions of each to another, the uniqueness of each person and mostly, keeping it loose and casual. It's one of those scenes that you must depend on seeing shapes and color as you're painting, rather than what it really is.
I will also say that, if you could view the original painting, you'd see more to the edges and brush strokes, which give it all a little movement. If you're in Seattle, please visit the Howard/Mandville Gallery to see this painting and others.
Click here for a larger view.