"Homeward Bound"

6 x 6"
oil on masonite
sold

Nearing the end of our first full day in Manhattan, we explored Grand Central Terminal for a while - I stood at this high spot for a good, long time squinting at the steady stream of people pouring in - thinking of how I could paint this scene. Lots of movement, ambiance - I really love the way this turned out and I'm adding it to my series ATL to NYC & Back. Gives me courage to tackle a larger version, from the center floor in the station.

"Mass Transit"

6 x 6"
oil on masonite
sold

There's no place like New York City when it comes to the massive amounts of people on the sidewalks and streets. Put yourself around Grand Central Terminal and you're likely to get run over by the hordes of commuters - this was at the crosswalk on 42nd Street & Madison Avenue, an addition to my series ATL to NYC & Back.

"Ins & Outs"

8 x 8"
oil on masonite
sold

When obligations ease up, there's time to experiment - and I love that. You may know I usually paint on a black surface - this painting was done on a metallic copper tone - and it was a very different experience. Same as the black, color pops off the board, in contrast, and I see values and intensity much better. I follow my instincts more this way - and yes, I squint a lot.
I intended to reveal more of the copper in the end - although the warmth still affected what color was put down. Very fun. I must do more. Speaking of squinting ..... a couple of months ago I started using my reading glasses while painting. Next thing ya know, my face is about three inches from the surface, for hours, and I don't even realize it. Yikes. The anal retentive really was coming out of me - and painting became more and more like a chore. No more glasses. I'm better for it.

The scene is from Grand Central Station, around 8 in the morning.