"100 Faces, No. 77"

4 x 4"
oil on masonite
sold

As the sun sets on this New Year's Eve, I wanted to express my appreciation for all your comments during the year and your interest in what I do. It is what drives me - and I thank you.

A brand new year means, to me, to always be brave - take risks - leaps of faith - just be a better person all around. It's never too late to have the life you want to live. Remember that.

Paint on,
and Happy New Year ~ Karin J

"100 Faces, No. 76"

4 x 4"
oil on masonite
sold

This is one of my favorites - this man just made for a very interesting painting. I think it's the minimal strokes I like most - not overworking the eyes, the brighter red areas seem to be in the right places. Honestly, working on this series is like I'm going to class every day. It's a constant learning experience - and that drives me. Can't wait to do the next one.

"100 Faces, No. 75"

4 x 4"
oil on masonite
sold

I did this one with speed - like a gesture drawing, but with paint - that way I get those squiggly edges I love so much. And I allow those blips of red beneath to peek through, which I really dig.

"100 Faces, No. 74"

4 x 4"
oil on masonite
sold

I'm happy to be back with my paints and brushes again - had a wonderful, cozy Christmas which included snow, a rare occurence here in Atlanta. Just loved it.

As I'm in the home-stretch with this series of 100 Faces, I'm sure my favorite paintings have been the people of color, including this new one. With darker skin, there's more layering of tones, cooler color on top of warm, rich color - the more I paint, the more I see.

I wanted to thank Katherine Tyrrell, the host of one of the best art-related blogs on the web, Making a Mark. I've been nominated for the 2010 Best Artwork - Portrait/Figures, specifically a painting titled 'Hands of Time'. Thank you Katherine, you make me proud. Take a minute and see all the artists who've been nominated for several categories - I promise you'll discover some extremely talented artists - including my good friend Neil Hollingsworth, who's work is nominated for Best Portrayal of a Still Life.

"East Bay Walk"

6 x 6"
oil on masonite
sold

A November evening stroll on East Bay Street, in the Holy City, Charleston, South Carolina.

Proceeds from this sale were donated to Our Lady of Perpetual Help Home, a terminal-cancer hospice in Atlanta. The hospice operates solely on private donations. The Sisters and staff cared for my dad, with amazing compassion, humor and dignity and I will be forever grateful.

and a note......... it's a good time to sign off for a bit - lots to do to get ready for the holiday. I wish you and yours a peaceful, happy time together. Enjoy every minute of it and Merry Christmas.

~ Karin J

"100 Faces, No. 73"

4 x 4"
oil on masonite
sold

"100 Faces, No. 72"

4 x 4"
oil on masonite
sold

Painted on a yellow ground color - and truly with minimum brush strokes. I could have continued, although I loved it as this modern, chiseled portrait - as is.

"100 Faces, No. 71"

4 x 4"
oil on masonite
sold

"100 Faces, No. 70"

4 x 4"
oil on masonite
sold

Busy times..... there are only a few hours a day when I can sit down and paint. Nothing soothes the soul more than an hour of Zen, sipping hot tea and accomplishing something on my easel. As I tell my workshop artists, some days you have the time to make lasagna - some days you only have time to pop open a can of Chef Boyardee. It's just important that you do it.

"100 Faces, No. 69"

4 x 4"
oil on masonite
sold

I seem to have a calm-before-the-storm period right now - the busiest days of my year are right around the corner. Big changes. All for the good, I'm sure of it.

So for now, I do what gives me great pleasure - paint more of the 100 Faces. Maybe I'll end the year crossing the goal line.

"100 Faces, No. 68"

4 x 4"
oil on masonite
sold

Ms Edwards

Several years ago, when I was fairly new at painting, I sold most of my work on eBay auctions. I've been fortunate to have gotten to know some of the folks who have been avid fans and
collectors - and that means a lot to me to connect with those people. Elizabeth Edwards was one of them.

After Elizabeth had received the first painting I sold to her, she wrote the nicest letter to me, thanking me and expressing how much she enjoyed how I saw the world around me. I kept that letter, it made me beam with pride. She came back for more, I think over twenty during the course of three to four years - and every single time, it thrilled me.

Any opportunity I had to write Elizabeth, I did. She made me proud to be a woman. I told her I wished I had her skill of speaking - she told me she wished she had my talent.

Elizabeth Edwards was, as I knew her, a warm, down-to-earth, smart and caring person. I am grateful to have known her, even just a little bit.

.... also wanted to add on that Elizabeth not only supported me as an artist, she had bought paintings from several artists/friends of mine - Chris Stott, Neil & Karen Hollingsworth, Jeff Cohen .... I know there's many others, and we all deeply appreciated her patronage. She was cool.

"100 Faces, No. 67"

4 x 4"
oil on masonite
sold

"100 Faces, No. 66"

4 x 4"
oil on masonite
sold

"100 Faces, No. 65"

4 x 4"
oil on masonite
sold

"100 Faces, No. 64"

4 x 4"
oil on masonite
sold

"100 Faces, No. 63"

4 x 4"
oil on masonite
sold

"100 Faces, No. 62"

4 x 4"

oil on masonite
sold

Always a challenge - I painted a dark tone on the white gessoed board, then subtracted from that with a brush dipped in paint thinner. Some mid-tones were added in the end.

"100 Faces, No. 61"

4 x 4"
oil on masonite
sold

"100 Faces, No. 60"

4 x 4"
oil on masonite
sold

The only way to enjoy painting portraits, I'm convinced, is to not be commissioned to do them. Not that there's anything wrong with that - it's been a valid, desired and lucrative way to make a living for many an artist. But I learned a long time ago, people don't see themselves as others do. And that made for tweaking and beautifying to satisfy the client - and I'd rather not go there.

During my short stint as an art major student, some thirty years ago, I was thrilled when the life-drawing models were everything but beautiful. Give me the morbidly obese, the curmudgeons, the weathered faces. Warts and all. All those imperfections drive me.

When I was about halfway through this painting, I kept thinking her face is too small. But it wasn't me - it was the truth. She has a tiny head, with a whole lotta hair. Naturally I'm inclined to correct that, make it more proportionally correct - but it is what it is. And I love that about these studies. In this series, you'll see crooked eyes, oddly longer noses or dominating foreheads - all those things that make us unique, special and human.

"100 Faces, No. 59"

4 x 4"
oil on masonite
sold

I think I decided to crop this in order to include the hairs sticking up - realizing, when it was finished, he seems closer to the viewer. Maybe a bit more diminutive as well. I really like it.

"100 Faces, No. 58"

4 x 4"
oil on masonite
sold

Spent the morning warming up - literally and painting-wise. The best experience I have with this series is nothing is planned - no sketching, no colors intended from the start, no pressure. It's the best thing you can do, to limber up, no matter what the subject matter is.

"Under The Influence"

6 x 6"
oil on masonite
sold

This, you could say, is painted from my alter ego - enjoying less detail, seeing things in a more abstract sense. A blink, a glimpse. And to paint this way - a lot of squinting.

From Charleston, diners enjoying a mild, November evening under the glow of Pearlz Oyster Bar.

My Friend Susan

One of my best friends from high school
(the one with 'Sue' on her sweater)
in a funny commercial for Swanson. A longer version is here,
click on 'Stuffing Skirmish' on the bottom left.
It's a hoot.

Have a beautiful Thanksgiving.

"100 Faces, No. 57"

4 x 4"
oil on masonite
sold

An excellent subject to paint ..... and yes, I'm coming back to life. Anything I've attempted to paint this past week, other than the faces, has been a failure. When I don't feel good, I force it. End up with something too picky, too detailed. There's no fun in that.

"100 Faces, No. 56"

4 x 4"
oil on masonite
sold

"100 Faces, No. 55"

4 x 4"
oil on masonite
sold

More and more, I'm taking off the training wheels - using the photo for a portion of the painting then inventing the rest. I tend to pick up colors on the brush that are bolder choices - and I end up liking the painting so much more in the end.

"100 Faces, No. 54"

4 x 4"
oil on masonite
sold

I'm thrilled with this one.

"100 Faces, No. 53"

4 x 4"
oil on masonite
sold

"100 Faces, No. 52"

4 x 4"
oil on masonite
sold

It's been so long since I've had a cold - I forgot just how unpleasant it was. I move at a slow speed, even with my paint brush. There are worse things.....

"100 Faces, No. 51"

4 x 4"
oil on masonite
sold

My Week Away

If I could have managed time for blogging last week, I surely would have. I thought I'd catch up when I returned to my hut - when I'd make more sense. Still a tad out of it, I think I caught me a cold. Not surprising given at one point, I'm teaching in shorts with sunshine and 82 degree days - then painting outside in 43 degrees by the weekend. Wacky.

I arrived in Hilton Head a few days ahead of schedule - my guy and Petey joining me. Petey got the best seat.



The workshop began Monday morning - the studio we painted in was excellent, spacious and plenty of elbow room for 17 artists, my assistant Vince Fazio (from the Sedona Arts Center and also an artist) and me. Fabulous space - I really enjoyed it.

8 x 10"
my demo on Monday
sold

Some of my talented painters at work.

4 x 4"
sold

My demo on Tuesday morning - very quick, very loose
and painterly, the way I love to paint.

Another talented participant.

A quick note about the desktop easel Kris and others are using - my guy custom-made these for my students who were interested - he made 10 and sold out at the workshop. They're a deluxe version of the one I've used for the past five years - very sturdy, you can set it to a dozen different angles and it folds flat for traveling in luggage. A new batch will be built soon and I'll offer them for sale in my eBay store - so I'll holler as soon as they're ready to purchase.

8 x 8"
sold

A demo I painted on Tuesday afternoon, from a student's
photo taken around Palmetto Bluff.

Tuesday evening, Ben Whiteside of the Morris & Whiteside Gallery in Hilton Head, hosted a get-together for all of my students and guests at the gallery - thank you Ben. We really loved that experience.

A very talented participant who used her iPad as a tool to paint from.
Smart girl, I was so envious.

6 x 6"
sold

My demo for Wednesday, a happy dog I met on the beach.

Another talented artist painting from her own photo.

6 x 6"
sold

My demo for Thursday, a longer day in the studio,
so I spent a little more time with it.

Not only one of my talented participants, Jerry is also the writer of the award winning comic strip Zits, creator of Baby Blues and one-time cartoonist for Nancy - we were thrilled to have him paint with all of us.

A fabulous, unique painting done by one of my talented students.

5 x 7"
sold

My demo for Friday.

I'm not kidding when I say I lucked out with 17 talented, eager, friendly, optimistic artists.


I enjoyed every minute of the time we worked together. It totally inspired me to get back to my hut and start painting as soon as possible.

After the workshop wrapped up on Friday, I headed straight to Charleston, met up with my good friends, Neil and Karen Hollingsworth - both extraordinary painters.



Above Neil and Karen was the view from our terrace at the crack of dawn on Saturday morning - I'm off to paint in Washington Park, something completely new for me.

A Charleston artist, Rhett Thurman - painting in the park. Rhett and I shared a model that morning.



That's the tip of my head and several folks watching me paint in the park, including a Charleston artist, Tate Nation (second from the right). Great guy, great painter.

6 x 8"
sold

8 x 10"
sold

These are the two paintings I did in the park, which were included in the auction that night along with all the other artists who participated - proceeds going to the local public school's art departments - a great cause. On Charleston Today's website, there's a cool video of the Painting in the Park - take a look.

The auction was so exciting - a big Thank You to both the Morris & Whiteside Gallery and the Sylvan Gallery for representing my work in the event - makes me very proud.

For now, I'm happy to be back to my hut and have a lot of catching up to do. If there are future workshops scheduled, I'll post that info on the right hand column - also take some time to visit the blogs and websites of those artists who shared their time with me, both in New York and Hilton Head.

I'm grateful to those who joined me last week, as well as Vince Fazio for the help in not only arranging the workshops but assisting me and the artists during the week - couldn't have done it without you Vince.

Back to the paints ~