"Sunday Best"

8 x 10"

oil on panel
sold  

A woman dressed for such an occasion as 'A Sunday on La Grande Jatte'.   George Seurat's famous painting can be seen at the Art Institute of Chicago.

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"Back In The Day"

14 x 11"
oil on masonite
sold

On the heels of finishing the pieces for the Landscape (group) Show which is opening this weekend at 16 Patton - I'm starting on several paintings for several Small Works Shows that take place in November and December. This new piece will be included in Howard/Mandville's group show - check their website for dates.

These two gentlemen stand before the awesome Seurat work 'A Sunday on La Grande Jatte', in the Art Institute of Chicago. As seen in Ferris Bueller's Day Off, 100's of 1000's of dots of paint make up this painting - it is remarkable.

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"Groovin' On a Sunday Afternoon"

9 x 12"

oil on masonite
sold

A young man leaning in for a closer look at Seurat's "A Sunday on La Grande Jatte", one of the most popular masterpieces in the Art Institute of Chicago.

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"A Word In Edgewise"

9 x 12"

oil on masonite

sold

Happy Halloween everyone.

A memorable scene for me as a grandmother and her two attentive granddaughters discuss the painting before them, Georges Seurat's "A Sunday at La Grande Jatte", which hangs in the Art Institute of Chicago. The two young girls seemed to really soak in a lot of the art in the museum. I enjoyed watching that.

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"Points of Interest"

12 x 12"

oil on masonite

sold

I've worked hard this week, trying to use available days to get in some painting on larger pieces for the galleries. That usually means the small, daily paintings get the shaft, but that's okay - it's good for me to keep a happy balance. I promise I'll get back to the little squares very soon.

This new painting was a challenge, to say the least. "A Sunday on La Grande Jatte" is an incredible task to depict - and no, I did not do it with little, tiny dots of paint like Georges Seurat. If you've been to the Art Institute of Chicago, it's one of the premiere works of art. It's absolutely mind-blowing, considering the artist's technique and the size of his canvas. It always makes me think of "Ferris Beuller's Day Off" - when Cameron stands, transfixed on the thousands of dots on top of dots. I also took liberty in portraying the painting in another frame - truth is I hate how the original is displayed in the museum.

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