Monday, October 30, 2017

"200 Faces, No. 157 & 158"

 4 x 4"
oil on panel


 4 x 4"
oil on panel
 
 
New additions to my ongoing series BUST-ED.

Thursday, October 26, 2017

"200 Faces, No. 156"

4 x 4"
oil on panel


The newest addition to my ongoing series BUST-ED.

Wednesday, October 25, 2017

"An Assumption"

6 x 8"
oil on panel
sold


This new painting will be my Christmas card this year.  

Featured is the Assumption of the Virgin with Saints Julian and Minias by the artist, Andrea del Castagno, painted in 1449.  The Rector of a church in Florence commissioned the painting for an altarpiece - a church that dated back to the 11th century.  In 1888, the church was demolished during the Reconstruction of Florence and the altarpiece was purchased by the Staatliche Museum in Berlin, where visitors can view this remarkable work of art.

The original photograph is by Stefan Draschan, who kindly gave me permission to use it as a reference.


Sunday, October 22, 2017

"200 Faces, No. 155"

4 x 4"
oil on panel


A new addition to my ongoing series BUST-ED.

Asked why I'm painting these final 50 - it is practice, wishful thinking and very cathartic.

I've got a plan for these final 50, so for now, they will not go on auction.

Saturday, October 21, 2017

"Daisy"


My friends' beloved Daisy.  RIP.

Thursday, October 19, 2017

"200 Faces, No. 154"

4 x 4"
oil on panel


A new addition to my ongoing series BUST-ED.


Wednesday, October 18, 2017

"200 Faces, No. 153"

4 x 4"
oil on panel


A new addition to my ongoing series BUST-ED.

Sunday, October 15, 2017

"200 Faces, No. 152"

4 x 4"
oil on panel


A new addition to my ongoing series  BUST-ED.  A preemptive mugshot of sorts.  The final 50 will be the individuals that are damaging our republic.  I'm simply venting thru my paintbrush.


Saturday, October 14, 2017

"200 Faces, No. 151

4 x 4"
oil on panel
sold


I'm inspired to finish up my ongoing series BUST-ED with this new addition. 

Saturday, October 7, 2017

"Heaven"

8 x 6"
oil on panel
sold


It's not just that the artist, Wayne Thiebaud, paints cakes, pies, cupcakes, ice cream cones and a variety of splendid desserts - he brushes on paint as if he were applying icing.  He swirls.  He wiggles.  And damn if every stroke and every touch of color, often unexpected color, is perfection. The last time I was at the National Gallery of Art in DC, I stood just as close as this woman and thought this is heaven.  

To mention, this is another small study for a larger painting.  And I really can't wait to start.